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Narrating from the Margins
Preliminary Material -- The Concern for Self-Possession -- Self-Narration: Conditions, Representations, and Consequences -- The Female Self in Rhys and the Category of the Amateur -- Positioning Rhys's Heroines within Colonial Relations -- Narrative Responses to 'Exile From the English Family': The Zombie and the Mad Witch -- White Female Colonial Self-Articulation: Narrative of Displacement in Voyage in the Dark -- Colonial Creatures: The Community of Life-Stories in Good Morning, Midnight -- Quartet: The Making of the Amateur and Third-Person Self-Narration -- Intersubjectivity and Self-Arrangements in After Leaving Mr Mackenzie -- Membership in the Holy English Family and Mad-Witch Narration in Wide Sargasso Sea -- Conclusion: Self-Narratives for the Chorus Girl and the Horrid Colonial -- Works Cited -- Index.
Arise Ye Mighty People!
Arise! Ye Mighty People! witnesses the continuous resistance to the multiple oppressions leveled against women and men of color, throughout the world.
The Creolisation of London Kinship
In the last 50 years, the United Kingdom has witnessed a growing proportion of mixed African-Caribbean and white British families. With rich new primary evidence of "mixed-race" in the capital city, The Creolisation of London Kinship thoughtfully explores this population. Making an indelible contribution to both kinship research and wider social debates, the book emphasises a long-term evolution of family relationships across generations. Individuals are followed through changing social and historical contexts, seeking to understand in how far many of these transformations may be interpreted as creolisation. Examined, too, are strategies and innovations in relationship construction, the social constraints put upon them, the special significance of women and children in kinship work and the importance of non-biological as well as biological notions of family relatedness. -- P. [4] of cover.
Reclaiming Home, Remembering Motherhood, Rewriting History
Reclaiming Home, Remembering Motherhood, Rewriting History: African American and Afro-Caribbean Women’s Literature in the Twentieth Century offers a critical valuation of literature composed by black female writers and examines their projects of reclamation, rememory, and revision. As a collection, it engages black women writers’ efforts to create more inclusive conceptualizations of community, gender, and history, conceptualizations that take into account alternate lived and written experiences as well as imagined futures. Contributors to this collection probe the realms of gender studies, postcolonialism, and post-structural theory and suggest important ways in which to explore connect...
A Kairos Moment for Caribbean Theology
The project of developing a contextual theology for the Caribbean was first articulated in the early 1970s in Trinidad and Jamaica. In the years since, many evangelical churches and theologians in the Caribbean have been ambivalent about the validity of this project, assuming that an emphasis on context was somehow antithetical to the pure gospel. But the crisis of the times, along with a more mature hermeneutic, has led to a re-evaluation of this assumption. Here a group of evangelical Caribbean theologians enter the discussion, with substantive proposals for how the gospel addresses the Caribbean context. They are joined by other theologians from mainline Protestant and Catholic traditions in the Caribbean. The result is an ecumenical dialogue on the diverse ways in which orthodox Christian faith may provide both challenge and hope for the Caribbean context. Half the essays in this volume were originally presented at the Forum on Caribbean Theology held in 2010 at the Jamaica Theological Seminary; the rest were invited especially for this volume.
Caribbean Writers / Les auteurs Caribéens
Matatu is a journal on African literatures and societies dedicated to interdisciplinary dialogue between literary and cultural studies, historiography, the social sciences and cultural anthropology. Matatu is animated by a lively interest in African culture and literature (including the Afro-Caribbean) that moves beyond worn-out clichés of "cultural authenticity" and "national liberation" towards critical exploration of African modernities. The East African public transport vehicle from which Matatu takes its name is both a component and a symbol of these modernities: based on "Western" (these days usually Japanese) technology, it is a vigorously African institution; it is usually regarded ...
Afro-Creole
This wide-ranging book explores the origins, development, and character of Afro-Caribbean cultures from the slave period to the present day. Richard D. E. Burton focuses on ways in which African traditions—including those in religion, music, food, dress, and family structure—were transformed by interaction with European and indigenous forces to create the particular cultures of Jamaica, Trinidad, and Haiti. He demonstrates how the resulting Afro-Creole cultures have both challenged and reinforced the social, political, and economic status quo in these countries.Jamaican slaves opposed slavery in many ways and one of the most important, Burton suggests, was the development of Afro-Christi...
On Racial Frontiers
Frederick Douglass, Ralph Ellison and Bob Marley each inhabited the shared but contested space at the frontiers of race. Gregory Stephens shows how their interactions with mixed audiences made them key figures in a previously hidden interracial consciousness and culture, and integrative ancestors who can be claimed by more than one 'racial' or national group. Douglass ('something of an Irishman as well as a Negro') was an abolitionist but also a critic of black racialism. Ellison's Invisible Man is a landmark of modernity and black literature which illustrates 'the true interrelatedness of blackness and whiteness'. Marley's allegiance was to 'God's side, who cause me to come from black and white'. His Bible-based Songs of Freedom envisage a world in which black liberation and multiracial redemption co-exist. The lives of these three men illustrate how our notions of 'race' have been constructed out of a repression of the interracial.
National Union Catalog
Includes entries for maps and atlases.
Contradictory Violence
This study combines approaches of the humanities and social sciences to explore contemporary Caribbean narratives of the historical trauma of slavery and the revolutionary or subversive strategies of anti-colonial struggle. Drawing on various works (novels, films, plays, political pamphlets) by writers and activists such as Frantz Fanon, Antonio Benítez-Rojo, Michelle Cliff, Erna Brodber, Wilson Harris, Iris Morales, Nicholasa Mohr, Culture Clash, and The Young Lords, the project traces narratives of historical slave uprisings, Maroon wars, and struggles against colonial and neo-colonial governments in and around the Caribbean. 'Contradictoy Violence' addresses questions of the legitimacy o...
