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Wilhelm Bode and the Art Market
The professional career and success of Wilhelm Bode (1845-1929) relied on the business of connoisseurship. Like other contemporary art historians involved in the commerce of art, he was entangled in the reciprocal dynamics and interdependencies of the nascent discipline of art history, connoisseurship and the art trade. The volume introduces new material and a fresh perspective on Bode’s strategic participation in the Western art market, exposing the particular consequences of these entanglements on the birth of the art historical canon and showcasing his complex agency within the art marketplace of the late nineteenth and the early twentieth centuries.
This Rough Magic
The Demon Chernobog¾ Foiled but Not Conquered in The Shadow of the Lion¾ is Back to Conquer Sixteenth-Century Venice! Chernobog had come within a hair of seizing absolute power in Venice, but was thwarted by the guardian Lion-spirit, who awoke to protect his city from the power-mad demon. But the power of the Lion is limited to Venice, and Chernobog has a new ally in the King of Hungary, who has beseiged the island of Corfu to seize control of the Adriatic from Venice. Trapped on the island is the small band of heroes who awoke the Lion and thwarted Chernobog before. Far from the Lion's help, Manfred and Erik lead guerrillas against the foe, and Maria discovers ancient magical powers on th...
“From Faraway California”
Offering a transdisciplinary journey across Thomas Pynchon’s California trilogy, “From Faraway California” addresses the representation of (city)space in the Crying of Lot 49, Vineland, and Inherent Vice through “geourban” lenses. Drawing on specific concepts in urban and regional studies, the book provides a thorough examination of Pynchon’s spatial imaginary, where the reader comes to understand how his fiction tackles the socio-political and cultural consequences of urban restructuring in the contemporary city and the lives of its citizens. Pynchon’s depiction of California is further analyzed from mythical and environmental standpoints to shed light on his planetary vision and (post)postmodernist poetics in the span of nearly half a century. More broadly, the book’s geocritical and urban analyses of Pynchon’s fiction indicate what might take place concerning the future of urbanism, toward “planetary urbanization” and the formation of the “city region.”
Pink Beams of Light from the God in the Gutter
From his earliest stories, Philip K. Dick's science fiction had strong religious and philosophical themes. In Pink Beams of Light from the God in the Gutter, Gabriel McKee gives an overview of Dick's religious experiences and his attempts at communicating them in published works, drawing on Dick's fiction as well as his private journals and personal correspondence.
