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Giorgio Vasari
Vasari's Lives of the Painters, Sculptors, and Architects are and always have been central texts for the study of the Italian Renaissance. They can and should be read in many ways. Since their publication in the mid-sixteenth century, they have been a source of both information and pleasure. Their immediacy after more than four hundred years is a measure of Vasari's success. He wished the artists of his day, himself included, to be famous. He made the association of artistry and genius, of renaissance and the arts so familiar that they now seem inevitable. In this book Patricia Rubin argues that both the inevitability and the immediacy should be questioned. To read Vasari without historical perspective results in a limited and distorted view of The Lives. Rubin shows that Vasari had distinct ideas about the nature of his task as a biographer, about the importance of interpretation, judgment, and example - about the historian's art. Vasari's principles and practices as a writer are examined here, as are their sources in Vasari's experiences as an artist.
Giorgio Vasari
This book presents Giorgio Vasari as an intellectual, painter, and philosopher—a rarely explored perspective in existing scholarship. It provides a fresh understanding of how Giorgio Vasari influenced the portrayal of successful artists in 16th-century Italy. His extensive education in classical studies, humanism, and art and his unparalleled intellectual curiosity, enthusiasm, and creative prowess enabled him to formulate a bold and assertive viewpoint on art and its history. With the support of humanists, fellow artists, and the patronage of his era, Vasari transformed the artist’s role. Artists came to be perceived as divinely inspired creators of images that convey profound moral and intellectual messages. Their status was elevated from mere artisans to creators whose work brings beauty to the world and makes enduring contributions to cultural heritage.
Lives of the Artists
Beginning with Cimabue and Giotto in the thirteenth century, Vasari traces the development of Italian art across three centuries to the golden epoch of Leonardo and Michelangelo. Great men, and their immortal works, are brought vividly to life, as Vasari depicts the young Giotto scratching his first drawings on stone; Donatello gazing at Brunelleschi's crucifix; and Michelangelo's painstaking work on the Sistine Chapel, harassed by the impatient Pope Julius II. The Lives also convey much about Vasari himself and his outstanding abilities as a critic inspired by his passion for art.
The Ashgate Research Companion to Giorgio Vasari
The Ashgate Research Companion to Giorgio Vasari brings together the world's foremost experts on Vasari as well as up-and-coming scholars to provide, at the 500th anniversary of his birth, a comprehensive assessment of the current state of scholarship on this important - and still controversial - artist and writer. Contributors examine the life and work of Vasari as an artist and architect and as a biographer of artists, and explore his legacy.
Giorgio Vasari's Teachers
This book examines the artistic, cultural, and historical influence of Giorgio Vasari's teachers, mentors, and patrons on his sacred and profane paintings. As a Maniera artist, Vasari learns to admire and assimilate the art of the ancient masters. With the guidance of Dante's literary writings and Marsilio Ficino's Neoplatonic philosophy, Vasari reveals a moral and didactic vision in his art. Additionally, Vasari's artistic patronage is influenced by the political views of Niccolò Machiavelli. In the integration of both ancient art and myths with the didactic legacy of biblical figures and moral personifications, Vasari manifests his artistic theory and symbolism in his sacred and profane paintings.
The Lives of the Most Excellent Painters, Sculptors, and Architects V6
The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric"...
Lives of the Most Excellent Painters, Sculptors and Architects
Giorgio Vasari's "Lives of the Most Excellent Painters, Sculptors and Architects" serves as a foundational cornerstone in the understanding of Renaissance art and artists. Written in a compelling and biographical style, the book presents a series of vivid portraits of prominent artists, offering insights into their lives, techniques, and the sociocultural context in which they worked. Through his detailed narratives, Vasari not only chronicles the triumphs and tribulations of these creative figures but also imbues the text with his critical assessment of their contributions, bridging the evolution of artistic endeavors from the Medieval period through the Renaissance. Vasari, himself a paint...
The Lives of the Artists
Beginning with Cimabue and Giotto in the 13th century, Vasari traces the development of Italian art across three centuries to the golden epoch of Leonardo and Michelangelo.
The Homes of Giorgio Vasari
Giorgio Vasari was one of the few artists in the history of art who built, designed, and decorated his homes. This book is the first to focus on Vasari's decorative cycles for his homes in Arezzo and Florence, revealing the significance of the artistic, cultural, and historical milieu of the sixteenth century. This study breaks new ground in two ways: First, in a personal and original manner, the imagery is related to Vasari's artistic ideas on history painting and the role of the artist. And second, Vasari's imagery portrays visual galleries applauding his teachers, antiquity and the creation of art.
