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Felix Anderl’s book is a stimulating analysis of the decline of social movements against the World Bank and the rise of a new form of transnational rule. Reflecting on the transnational mobilizations of the 1990s, the book examines activists’ struggles to sustain their momentum. It shows how the opening up of world economic institutions contributed to complex rule in global governance, creating access for some while weakening their critique and fragmenting the overall movement. The book bridges international relations and social movement studies to observe international organizations and social movements in their interaction, demonstrating how social movements are divided and ruled in the absence of a ruler.
This book looks at social-environmental activism in one of the world's most important and threatened tropical forests--Southern Bahia, Brazil. It explores what it means to be in and of a place through the lenses of history, environment, identity, class, and culture. It uncovers not only what separates people but also what brings them together as they struggle and strive to create their individual and collective paradise.
This handbook provides an in-depth analysis of the theoretical agendas, analytical tools, and substantive contributions offered by International Political Sociology. It explores the range of insights available to those who use sociological theory to engage various facets of world politics, from colonialism to globalization. Structured around three defining commitments - relationalism, intersubjectivity, and historicism - the book outlines what is distinct about IPS, where it came from, and where it can go next. Engaging a wide range of debates in International Relations and related fields of enquiry, the volume includes contributions on seminal concepts in the social sciences, including powe...
Reports for 1957/58- are condensations of the unavailable official annual reports published as issues of the Board's Monthly bulletin.
István Szabó is one of the few Hungarian filmmakers to have earned a major international reputation over the past half century. This thoughtful and original book is the first examination of Szabó's contribution to contemporary thought, engaging the troubled history of Europe in the 20th and 21st centuries. István Szabó's importance as a filmmaker lies not only in his attention to film's formal elements but in his deep and ongoing engagement with some of the most urgent ethical and existential questions of our time. With detailed analyses of István Szabó's major films, from his 1960s works to his Academy Award for Best Foreign Film winner, Mephisto, and on through Szabó's last film in...
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