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Derek Walcott's Painters
Walcott's lifelong concern with painting and painters deeply inflected his aesthetics and politics. Walcott's interventions on the relationship between Caribbean and colonial history have been thoroughly scrutinised, but, arguably, Walcott was also keen to address and (re)write an art history "e;of which,"e; paraphrasing a line from Omeros, the Caribbean "e;too"e; was/is "e;capable"e;. Contextualising and putting in conversation Walcott's published and unpublished writings (poems, plays, essays, journalism) and his drawings or paintings (privately owned and publicly disseminated) with specific artists from the Caribbean, Europe, South and North America, Derek Walcott's Painters recalibrates and sharpens our understanding of Walcott's articulation of his own politics and poetics and of the Caribbean's contributions to Atlantic and global culture.
Derek Walcott's Encounter with Homer
Derek Walcott's Encounter with Homer puts Derek Walcott's epic poem Omeros in conversation with Homer, especially the Odyssey, to show how reading them against each other changes our understanding of the poems of both poets. It explores Walcott's conscious use of the Odyssey and the Homeric persona of Omeros to explore his own deepening relationship with his craft and his identity as a Caribbean poet. Walcott's ability to serve as the vessel of history for his people and their landscapes rests on his transformation into (and self-perception as) Homer's contemporary and equal. Central to the project of Omeros is thus an account of his shift from a diachronic to synchronic relationship with Ho...
Annual Report of the Board of Regents of the Smithsonian Institution
Vols. for 1847-1963/64 include the Institution's Report of the Secretary, also published separately.
Theo Walcott 2
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The Atlantic Monthly
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Derek Walcott and West Indian Drama
Written at Derek Walcott's suggestion, and based on interviews with the playwright, this is the first detailed study of a post-colonial theatre company and the problems of creating "serious" theatre in the former British colonies. The book shows how the Nobel Prize winner strove to create a world class theatre ensemble in the West Indies--a Trinidadian Brecht Berliner ensemble--and traces his life and career in West Indian theatre and the history of the Trinidad Theatre Workshop. A major contribution to West Indian history and theatre, Bruce King's study reveals the heroic will of Derek Walcott, and his determination to prove that West Indian drama was a force with which to be reckoned.
Theo Walcott 1
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Derek Walcott
Nobel Laureate Derek Walcott is one of the Caribbean's most famous writers. His unique voice in poetry, drama and criticism is shaped by his position at the crossroads between Caribbean, British and American culture and by his interest in hybrid identities and diaspora. Edward Baugh's Derek Walcott analyses and evaluates Walcott's entire career over the last fifty years. Baugh guides the reader through the continuities and differences of theme and style in Walcott's poems and plays. Walcott is an avowedly Caribbean writer, acutely conscious of his culture and colonial heritage, but he has also made a lasting contribution to the way we read and value the western literary tradition. This comprehensive survey considers each of Walcott's published books, offering a guide for students, scholars and readers of Walcott. Students of Caribbean and postcolonial studies will find this a perfect introduction to this important writer.
