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Master the many styles of Wing Chun Kung Fu with this expert martial arts guide. With the fame of Bruce Lee, the conditions in Hong Kong, and the hard work and effort of many of his classmates, the Wing Chun of the late master Yip Man became one of the most well-known and popular Chinese martial arts in the world. Although this gave Wing Chun international recognition, it also led to a lot of misconceptions. Due to a lack of authentic information, many mistakenly came to assume that the renowned Yip Man was the sole inheritor of the style and that his Wing Chun was the lone version of the art. In fact, there are several different and distinct systems of Wing Chun. Unfortunately, over the yea...
Coverage of publications outside the UK and in non-English languages expands steadily until, in 1991, it occupies enough of the Guide to require publication in parts. 1995- issued in 2 vols; 2003- issued in 3 vols.
Focusing on the ancient, medieval, and early-modern eras, this collection considers the beginnings of Sino-Japanese Relations in the Ancient East Asian World, focusing on changes of the East Asian international system. It examines the establishment of the East Asian International Order in the 7th Century and the advance of Sino- Japanese relations in medieval times. It also considers the impact of initial contact with modern Western powers on modernization, and examines the points of rupture which deeply affected both cultures, for China the Opium War, and for Japan it the Black Ships of Commodore Matthew Perry and the Meiji Restoration. Based on research conducted jointly by Chinese and Japanese scholars, this collection provides a unique insight into the development of Chinese and Japanese culture from comparative perspectives, offering an in-depth study of the countries’ political, religious and societal structures to deepen objective perception toward history and promote mutual understanding in East Asia.
Containing more than 2,500 entries and over 1,000 color plates and line drawings, this book addresses artistic, stylistic, technical, and historical aspects of Chinese ceramics. Entries are grouped into themes such as shapes and forms; ceramic materials and manufacture; decoration methods, glazes, and colors; and marks and inscriptions. Each entry is accompanied by references in Pinyin (phonetic Romanized Chinese) as well as Chinese characters for further verification. Information is rendered instantly accessible through four indices--English, Pinyin, Chinese Classical literature, and museum illustrations.
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