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Werner Sollors Reader
Born in Silesia, raised in the Frankfurt area and educated in Berlin, Werner Sollors has spent most of his career at Harvard University in the United States and is regarded, in Cornel West's words, 'as one of the finest scholars that we have on race and cultural hybridity in both this country and the world'. This Reader offers the first comprehensive overview of the work of a central figure in the field of ethnic studies. The pieces collected here range from Puritan New England to contemporary Germany, from 'Exodus' to Mary Antin's Promised Land, from the 'Curse of Ham' to Teju Cole. They attest to Sollors' deep historical sensibilities, his attention to textual detail and his awareness of the costs and opportunities of both cosmopolitan ideals and particularist commitments, whilst addressing a central question: why does modernisation take the form of ethnicisation in many places around the globe?The collected essays are complemented by a detailed introduction by Daniel G. Williams which foregrounds some of the key emphases and tensions in Sollors' writings.
The Werner Sollors Reader
The first comprehensive overview of Werner Sollors' ground-breaking work on culture and ethnicity.
Werner Sollors Reader
Born in Silesia, raised in the Frankfurt area and educated in Berlin, Werner Sollors has spent most of his career at Harvard University in the United States and is regarded, in Cornel West's words, 'as one of the finest scholars that we have on race and cultural hybridity in both this country and the world'. This Reader offers the first comprehensive overview of the work of a central figure in the field of ethnic studies. The pieces collected here range from Puritan New England to contemporary Germany, from 'Exodus' to Mary Antin's Promised Land, from the 'Curse of Ham' to Teju Cole. They attest to Sollors' deep historical sensibilities, his attention to textual detail and his awareness of the costs and opportunities of both cosmopolitan ideals and particularist commitments, whilst addressing a central question: why does modernisation take the form of ethnicisation in many places around the globe?The collected essays are complemented by a detailed introduction by Daniel G. Williams which foregrounds some of the key emphases and tensions in Sollors' writings.
Where "Indians" Fear to Tread?
The two fields of contemporary Native American literature and culture exist in the tension between two literary traditions: the Native oral and literary tradition and the modern Western mainstream literary influence. In her North Dakota quartet Love Medicine (1984), The Beet Queen (1986), Tracks (1988), The Bingo Palace (1994), Native American mixedblood author, Louise Erdrich (b. 1954) exemplifies where and how these traditions meet and interact. A postmodern reading of the quartet shows that Native American authors and literary critics alike need not be afraid to tread into postmodernism, since an interpretation from this perspective opens up the possibility of freeing Native American lite...
Writing for Justice
In Writing for Justice, Elna Mortara presents a richly layered study of the cultural and intellectual atmosphere of mid-nineteenth-century Europe and the United States, through close readings of the life and work of Victor Sjour, an expat American Creole from New Orleans living in Paris. In addition to writing The Mulatto, an early story on slavery in Saint-Domingue, Sjour penned La Tireuse de cartes (The Fortune-Teller, 1859), a popular play based on the famed Mortara case. In this historical incident, Pope Pius IX kidnapped Edgardo Mortara, the child of a Jewish family living in the Papal States. The details of the play's production - and its reception on both sides of the Atlantic -...
Ethnic Modernism
Werner Sollors's monograph looks into how African American, European immigrant and other minority writers gave the United States its increasingly multicultural self-awareness, focusing on their use of the strategies opened up by modernism.
Decolonizing the Lens of Power
This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As Indigenous people are gradually taking control over th...
A Companion to the Harlem Renaissance
A Companion to the Harlem Renaissance presents acomprehensive collection of original essays that address theliterature and culture of the Harlem Renaissance from the end ofWorld War I to the middle of the 1930s. Represents the most comprehensive coverage of themes and uniquenew perspectives on the Harlem Renaissance available Features original contributions from both emerging scholars ofthe Harlem Renaissance and established academic “stars”in the field Offers a variety of interdisciplinary features, such as thesection on visual and expressive arts, that emphasize thecollaborative nature of the era Includes “Spotlight Readings” featuring lesserknown figures of the Harlem Renaissance and newly discovered orundervalued writings by canonicalfigures
Conversations with Greil Marcus
Greil Marcus once said to an interviewer, “There is an infinite amount of meaning about anything, and I free associate.” For more than four decades, Marcus has explored the connections among figures, sounds, and events in culture, relating unrelated points of departure, mapping alternate histories and surprising correspondences. He is a unique and influential voice in American letters. Marcus was born in 1945 in San Francisco. In 1968 he published his first piece, a review of Magic Bus: The Who on Tour, in Rolling Stone, where he became the magazine’s first records editor. Renowned for his ongoing “Real Life Top Ten” column, Marcus has been a writer for a number of magazines and we...
