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This book presents a distinctive viewpoint on the significance of sacred spaces in postcolonial literature while illuminating the diasporic narrative of regions often overlooked in Pan-African literary studies. By challenging the main trends that have benefited countries such as Nigeria, Kenya, and South Africa, Rosanna Masiola and Matteo Baraldo bring together multiple faiths, literary genres, and narratives in diachronic and comparative critical perspectives from Egypt, Ethiopia, and Libya. Masiola and Baraldo focus on historical authors and the rise of contemporary writers in the diaspora from a cross-cultural and comparative perspective. By examining writers such as Ahmad Shawqi, Ibrahim al-Kuni, Sahle Sellassie, Nega Mezlekia, Maaza Mengiste, and Gabriella Ghermandi, this book seeks to connect the reader to a mystical dimension of diasporic postcolonial literature.
Religious Representation in Place brings together an interdisciplinary group of scholars from the Humanities and Sciences to broaden the understanding of how religious symbols and spatial studies interact. The essays consider the relevance of religion in the experience of space, a fundamental dimension of culture and human life.
"The essays tell how these and other individuals faced the tensions and contradictions of their time and place. While some traced their lineage back to the city's first families, others were relative newcomers. Some broke new ground racially and sexually as well as artistically; others perpetuated the myths of the Old South. Some were censured at home but praised in New York, London, and Paris. The essays also underscore the significance and growth of such cultural institutions as the Poetry Society of South Carolina, the Charleston Museum, and the Gibbes Art Gallery."--BOOK JACKET.
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