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This book brings together a group of international scholars, inspired by the scholarly perspective of Australian philologist Ian Proudfoot, who look at calendars and time, royal myths, colonial expeditions, printing, propaganda, theater, art, Islamic manuscripts, and many more aspects of Malayan history.
Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife. Like the museum and the zoo, the nature film sought to recreate the experience of...
In the early 1920's, renowned American geologist, naturalist and hunter, William Douglas Burden, led expeditions to the Arctic as well as to tropical islands. His most widely publicized expedition was to the Dutch East Indies to the Island of Komodo in 1926. He and his first wife, Catherine White Burden, and their party went looking for a fierce direct descendent of the dinosaur, Varanus Komodoensis, which came to be known as the Komodo dragon and which had been rumored to be as long as 30 feet. No white man had captured one, and Mr. Burden was determined to do so...
The collection consts of correspondence, reports, journals, notebooks and some clippings related to Burden's scientific projects, travel and expeditions; typescripts or printed copies of Burden's published and unpublished articles and stories; the typescript of Burden's book (originally titled Hunting in many lands), published in 1960 under the title: Look to the wilderness; and personal papers. The bulk of the inventoried material covers four of Burden's projects: his 1926 expedition to Indonesia to study the Komodo dragon and collect specimens, and about which he wrote his 1927 book, Dragon lizards of Komodo; his formation of Burden Pictures, Inc., and production of the 1930 film, The sile...
Rich with archival detail and compelling characters, Life on Display uses the history of biological exhibitions to analyze museums’ shifting roles in twentieth-century American science and society. Karen A. Rader and Victoria E. M. Cain chronicle profound changes in these exhibitions—and the institutions that housed them—between 1910 and 1990, ultimately offering new perspectives on the history of museums, science, and science education. Rader and Cain explain why science and natural history museums began to welcome new audiences between the 1900s and the 1920s and chronicle the turmoil that resulted from the introduction of new kinds of biological displays. They describe how these dis...
Anne Troelstra’s fine bibliography is an outstanding and ground-breaking work. He has provided the academic world with a long-needed bibliographical record of human endeavour in the field of the natural sciences. The travel narratives listed here encompass all aspects of the natural world in every part of the globe, but are especially concerned with its fauna, flora and fossil remains. Such eyewitness accounts have always fascinated their readers, but they were never written solely for entertainment: fragmentary though they often are, these narratives of travel and exploration are of immense importance for our scientific understanding of life on earth, providing us with a window on an ever...
This book is a very accurate account of the world's largest lizard, the Komodo dragon (actually a monitor lizard). A bizarre beast, the Komodo is unchanged as a species for millions of years, yet was not discovered until this century!