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Book of Song and South Qi Dynasty
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
Letters and Epistolary Culture in Early Medieval China
Honorable Mention for the 2016 Kayden Book Award This first book-length study in Chinese or any Western language of personal letters and letter-writing in premodern China focuses on the earliest period (ca. 3rd-6th cent. CE) with a sizeable body of surviving correspondence. Along with the translation and analysis of many representative letters, Antje Richter explores the material culture of letter writing (writing supports and utensils, envelopes and seals, the transportation of finished letters) and letter-writing conventions (vocabulary, textual patterns, topicality, creativity). She considers the status of letters as a literary genre, ideal qualities of letters, and guides to letter-writi...
The Shorter Science and Civilisation in China: Volume 5
This fifth volume abridgement of Joseph Needham's monumental work is concerned with the staggering civil engineering feats made in early and medieval China.
Zuo’s Annals; Zuo Zhuan左传
左传 "Zuo Zhuan" or “Zuo’s Annals” is the first chronological history book said to be written by Zuo Qiuming , with a total of thirty-five volumes. It is one of the Confucian classics and the longest in the Thirteen Classics. The description ranged from 722 BC (Lu Yin Gong's first year) to 468 BC (Lu Yi Gong’s twenty-seventh year). The outstanding achievement of Zuo’s Annals is that it is the first large-scale and detailed history of China, which has an irreplaceable important position in the history of ancient historiography. On the scale of nearly 200,000 words, "Zuo’s Annals" comprehensively and systematically records the events of the Spring and Autumn Period, involving Zho...
Dictionary of the Ben Cao Gang Mu, Volume 3
The Ben cao gang mu, compiled in the second half of the sixteenth century by a team led by the physician Li Shizhen (1518–1593) on the basis of previously published books and contemporary knowledge, is the largest encyclopedia of natural history in a long tradition of Chinese materia medica works. Its description of almost 1,900 pharmaceutically used natural and man-made substances marks the apex of the development of premodern Chinese pharmaceutical knowledge. The Ben cao gang mu dictionary offers access to this impressive work of 1,600,000 characters. This third book in a three-volume series offers detailed biographical data on all identifiable authors, patients, witnesses of therapies, transmitters of recipes, and further persons mentioned in the Ben cao gang mu and provides bibliographical data on all textual sources resorted to and quoted by Li Shizhen and his collaborators.
THE LAST SUPPER 03
THE LAST SUPPER 03 On the other side of the lake under the white cloth, there were six young ladies sitting inside, some were eating fruit and looking at the other side of the lake, covering their mouths and laughing at something, some were holding a pen and thinking about something, looking at the way these women were dressed, they were either rich or noble, they were all young ladies from officials in the capital. Among them, there was a young lady wearing a light, tight-fitting yellow armor, her eyes were clear and strange, as clear as the jade of the West Sea, it was Ye Linger, the only female commander of the capital that Fan Xian had seen when he went to the outskirts of the capital. Ye Lingers eyes swept across the other side of the lake, turned her head to look at Fan Ruo Ruo and said: - Ruo Ruo, I dont recognize you, did you come today too?
Mi Fu
Mi Fu was a prominent calligrapher in 11th-century China. This analysis of his work considers content and style, and examines his calligraphy within the framework of the artist's life, the Northern Song culture in which he lived and the literati theory of art he helped to formulate.
Mathematical Reviews
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