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Mediating Historical Responsibility brings together leading scholars and new voices in the interdisciplinary fields of memory studies, history, and cultural studies to explore the ways culture, and cultural representations, have been at the forefront of bringing the memory of past injustices to the attention of audiences for many years. Engaging with the darkest pages of twentieth-century European history, dealing with the legacy of colonialism, war crimes, genocides, dictatorships, and racism, the authors of this collection of critical essays address Europe’s ‘difficult pasts’ through the study of cultural products, examining historical narratives, literary texts, films, documentaries, theatre, poetry, graphic novels, visual artworks, material heritage, and the cultural and political reception of official government reports. Adopting an intermedial approach to the study of European history, the book probes the relationship between memory and responsibility, investigating what it means to take responsibility for the past and showing how cultural products are fundamentally entangled in this process.
Through the eyes of a young American female radical socialist, living and working in Barcelona during the Catalan Revolution and the Spanish Civil War, the dreams, the nightmares and the realities of European politics in the age of dictatorship are fully brought to life. An autobiographical commentary written on the eve of World War Two.
Engaging history of the rich cultural, social and political life of Spain from prehistoric times to the present.
In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class’s time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.
Insightful and accessible, A Social History of Modern Spain is the first comprehensive social history of modern Spain in any language. Adrian Shubert analyzes the social development of Spain since 1800. He explores the social conflicts at the root of the Spanish Civil War and how that war and the subsequent changes from democracy to Franco and back again have shaped the social relations of the country. Paying equal attention to the rural and urban worlds and respecting the great regional diversity within Spain, Shubert draws a sophisticated picture of a country struggling with the problems posed by political, economic, and social change. He begins with an overview of the rural economy and the relationship of the people to the land, then moves on to an analysis of the work and social lives of the urban population. He then discusses the changing roles of the clergy, the military, and the various local government, community, and law enforcement officials. A Social History of Modern Spain concludes with an analysis of the dramatic political, economic, and social changes during the Franco regime and during the subsequent return to democracy.
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Perceptively written, this thoroughly researched book illuminates the political labyrinth which many American scholars had to navigate in the 1930s & 1950s &, indeed still do today. At the same time, it goes a long way to explaining why Spain & particularly its civil war engaged & continues to engage Anglo-Saxon writers.
“Balenciaga is fashion's Picasso.”—Cecil Beaton More than three decades after his death, the Spanish couturier Cristobal Balenciaga (1895-1972) has become a legendary figure in the history of 20th-century fashion. His name is now synonymous with clothes made to the highest standards and characterized by their sculptural quality, deft manipulation of textiles, and dramatic use of color. This absorbing new book, with breathtaking illustrations, examines Balenciaga's design and business and places him firmly in the context of the time and country in which he learned his trade—and the international fashion scene in which he subsequently matured and triumphed. This stunning book is published to accompany The Golden Age of Couture, a major exhibition opening at the V&A in September 2007.