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Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military’s intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation. The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women’s issues and lives, in order to avoid the overtly political. Women and Turkish Cinema provides a comprehensive view of cinema’s approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.
With exhaustive coverage on one of the world's most diverse and exciting countries, Culture and Customs of Turkey is an essential addition to high school and public library shelves. Illustrative accounts of past traditions help readers to understand contemporary culture today, covering such customs as religious beliefs, folklore, gender issues, art, performing arts, cuisine, and festivals. Students will learn how Turkey has become culturally rich and diverse, mixing Western and Eastern traditions to form a unique bridge between Europe and Asia. This latest volume in the Culture and Customs of Europe series is a must-have for high school students studying world history and culture, as well as...
‘The City on Screen: Modern Strangers of Cinematic Istanbul’ attempts to analyze how Istanbul is captured through the projector; in other words, the ontological relationship between city and film and how it is elaborated within the context of Istanbul and the sense of strangerhood. This book shifts the axis of Istanbul, typically known as a touristic city, to its underlying details through the strangers in the modern city. Five different films set in this region are analyzed in the text that help to reveal and clarify the socio-urban life of modern Istanbul. The characters and stories in these films tell how Istanbul has socially and architecturally become a city of strangers. The films ...
Transmitting the crisis that Frederick Jackson Turner and Theodore Roosevelt feared when the frontier closed, the Western has returned to reveal a cultural watershed at work in twenty-first century America, revitalized with horror, terror and the peccant. Darkened and dystopic, contemporary Westerns point to a national bankruptcy, upending the notion that regenerative, civilizing impulses direct nation-building. Exploring films like Open Range (2003), Yahşi Batı (2010), The Keeping Room (2015), Little Woods (2018), and First Cow (2019), as well as television series like Justified (2010-1015), Longmire (2012-2017), Westworld (2016-2022), and Yellowstone (2020 –), this thought-provoking collection examines re-constituted masculinities, feminine re-fashioning and new directions in Western filmmaking. Covering a wide range of aesthetic and thematic concerns, Return of the Western: Refracting Genre, Representing Gender in the Twenty-First Century reminds us how deeply this versatile genre is grounded in the American psyche.
The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day. Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey.
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Situated between two continents, the Turkish Republic emerged in 1923 as the successor to the multinational Ottoman Empire. A young secular Republic with an old history, Turkey is a diverse and complex country in terms of social composition, politics, culture and economy, where cultures and races coexist. This dynamism is apparent in Turkey's economy, with its rapidly developing financial markets, an energetic entrepreneurial class, a thriving industrial base, and fast-growing communications. Today Turkey is striving to consolidate its democracy but it also faces other challenges. On the one hand it wishes to maintain its Islamic tradition but on the other it desires to be part of the West. In addition, it seeks to find a balance between its traditional role in Western defence strategy and its new regional role in the Middle East, Eastern Europe, the Caucasus and Central Asia. This bibliography fully updates the original volume, published in 1982.
First media magazine of the Balkans.
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