You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"Devilishly clever" Val McDermid on Strange Tide She sees everything, but can never tell anyone... a wickedly compulsive thriller from the bestselling author of the Bryant & May series. At a beautiful villa near Nice in the south of France, Hannah Carreras works as a maid. Under strict instructions never to speak to the guests, she blends into the background – but she sees everything. Including the mistress Summer, lounging by the pool awaiting the arrival of her married lover, Steve. When Steve finally shows at the villa – with his family unexpectedly in tow – Summer has vanished. Steve claims he never saw her. But Steve's wife is no fool: she knows there's something going on. Whose tiny bikini lies by the pool? Whose perfume is in the bathroom? Before long, the local police start asking questions, and the villa's occupants have something to hide. Only Hannah, always listening, watching, saw broken glass and blood on the patio the day Summer disappeared. Only Hannah thinks she knows what lies are being told...
In the tranquil enclave of County Cork, the unsolved murder of Father Kevin Leeway casts a lingering shadow. Three years on, the case has gone cold, but the priest's brother, Tom, remains undeterred in his pursuit of justice. Teaming up with his detective friend Jack, who once navigated the murky trails of the case, Tom reignites the quest for answers. Leeway, in its unyielding resolve to uncover the truth, weaves a tale of hidden desires and human frailties at the heart of an Irish village. 'Someone must know something,' Tom tells Jack. But who knows what?
Something pushed out from the body there on the floor, and stretched forth a slimy, wavering tentacle... Perhaps no figure better embodies the transition from the Gothic tradition to modern horror than Arthur Machen. In the final decade of the nineteenth century, the Welsh writer produced a seminal body of tales of occult horror, spiritual and physical corruption, and malignant survivals from the primeval past which horrified and scandalised-late-Victorian readers. Machen's 'weird fiction' has influenced generations of storytellers, from H. P. Lovecraft to Guillermo Del Toro-and it remains no less unsettling today. This new collection, which includes the complete novel The Three Impostors as well as such celebrated tales as The Great God Pan and The White People, constitutes the most comprehensive critical edition of Machen yet to appear. In addition to the core late-Victorian horror classics, a selection of lesser-known prose poems and later tales helps to present a fuller picture of the development of Machen's weird vision. The edition's introduction and notes contextualise the life and work of this foundational figure in the history of horror.
This title was first published in 2000. John Ireland (1879-1962) was as elusive as the music that he composed. His music resists easy categorization, in part because it is linked so closely to specific events, places and people in Ireland's personal life. The Music of John Ireland explores the expressive and extramusical qualities of Ireland's compositions and their complex system of personal musical symbols, images and ideas. Fiona Richards interweaves biography and musical analysis in a series of chapters which take their themes from the significant influences in Ireland's life: Anglo-Catholicism, paganism, the countryside, the city, love and war. Ireland emerges as highly individual, struggling with his religious beliefs, his sexuality, and an uncertainty as to his success. His music, often an expression of a state of mind, is given, for the first time, the close investigation that it merits. Ireland preferred to compose on a small scale, showing a masterful command of form and a gift for melody. Richards reveals how the essence of the man shines through in the miniatures that he wrote.
Includes entries for maps and atlases.
Winner of the John Llewellyn Rhys Prize 'One of the most shamefully under-read great British authors of the past 100 years' Sarah Waters The poet Sylvia Townsend Warner rose to sudden fame with the publication of her classic feminist novel Lolly Willowes in 1926, but never became a conventional member of London literary life, pursuing instead a long writing career in her own individualistic manner. Cheerfully defying social norms of the day, Warner lived in an openly homosexual relationship with the poet Valentine Ackland for almost forty years. Together, they were committed members of the Communist party and travelled twice to Spain during the Civil War, but Warner paid for her outspokennes...
No Marketing Blurb