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The Secret Life of Things
This collection enriches and complicates the history of prose fiction between Richardson and Fielding at mid-century and Austen at the turn of the century by focusing on it-narratives, a once popular form largely forgotten by readers and critics alike. The volume also advances important work on eighteenth-century consumer culture and the theory of things. The essays that comprise The Secret Life of Things thus bring new texts, and new ways of thinking about familiar ones, to our notice. Those essays range from the role of it-narratives in period debates about copyright to their complex relationship with object-riddled sentimental fictions, from anti-semitism in Chrysal to jingoistic imperialism in The Adventures of a Rupee, from the it-narrative as a variety of whore's biography to a consideration of its contributions to an emergent middle-class ideology.
The Cambridge Companion to the Irish Novel
This is the perfect overview of the Irish novel from the seventeenth century to the present day.
Work in Hand
This volume examines the relationship between manual writing and print and how script evolved between 1590 and 1840.
The Orphan in Eighteenth-Century Law and Literature
Cheryl Nixon's book is the first to connect the eighteenth-century fictional orphan and factual orphan, emphasizing the legal concepts of estate, blood, and body. Examining novels by authors such as Eliza Haywood, Tobias Smollett, and Elizabeth Inchbald, and referencing never-before analyzed case records, Nixon reconstructs the narratives of real orphans in the British parliamentary, equity, and common law courts and compares them to the narratives of fictional orphans. The orphan's uncertain economic, familial, and bodily status creates opportunities to "plot" his or her future according to new ideologies of the social individual. Nixon demonstrates that the orphan encourages both fact and ...
The Rhetoric of Sensibility in Eighteenth-Century Culture
The Rhetoric of Sensibility in Eighteenth-Century Culture explores the burgeoning eighteenth-century fascination with the human body as an eloquent, expressive object. This wide-ranging study examines the role of the body within a number of cultural arenas - particularly oratory, the theatre and the novel - and charts the efforts of projectors and reformers who sought to exploit the textual potential of the body for the public assertion of modern politeness. Paul Goring shows how diverse writers and performers including David Garrick, James Fordyce, Samuel Richardson, Sarah Fielding and Laurence Sterne were involved in the construction of new ideals of physical eloquence - bourgeois, sentimental ideals which stood in contrast to more patrician, classical bodily modes. Through innovative readings of fiction and contemporary manuals on acting and public speaking, Goring reveals the ways in which the human body was treated as an instrument for the display of sensibility and polite values.
Work in Hand
Work in Hand: Script, Print and Writing, 1690-1840 is about the relationship between manual writing and print. Handwriting, and how it is seen and understood, changes a lot during this period, as can be seen in printed engravings of handwriting, in the form of copy-books, and engraved autographs. It is now that English round hand, the ancestor of modern handwriting, develops. The idea that the labouring classes should not have access to writing also losesground, and a universal ability to write slowly becomes acceptable. There is a new interest in the 'author's hand', the handwriting of novelists and poets, part of a more general cult of the autograph. By theend of the period handwriting becomes associated with being human.
Patrick Kavanagh
The first paperback edition of the critically acclaimed biography, described by one reviewer as 'a magnificent work of love and scholarship...the best biography I have read in years'.
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