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Focusing on youth, family, work, and consumption, Ambiguous Transitions analyzes the interplay between gender and citizenship postwar Romania. By juxtaposing official sources with oral histories and socialist policies with everyday practices, Jill Massino illuminates the gendered dimensions of socialist modernization and its complex effects on women’s roles, relationships, and identities. Analyzing women as subjects and agents, the book examines how they negotiated the challenges that arose as Romanian society modernized, even as it clung to traditional ideas about gender. Massino concludes by exploring the ambiguities of postsocialism, highlighting how the legacies of the past have shaped politics and women’s lived experiences since 1989.
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Nicolae Ceaucescu was Romanias leader between 1965 and December 1989, assisted by his wife Elena. As a result of the personality cult characteristic of any dictatorship, within this period hundreds of portraits of Elena and Nicolae were realized by artists all over the country. CEAU is an art book that presents a selection of these portraits preserved in the storage vaults of the National Museum of Contemporary Art in Bucharest. These artworks had either been commissioned by a variety of political bodies within the Socialist Republic of Romania or had been offered to the Ministry of Culture as a gift by the artists themselves before the fall of the Ceaucescu regime. A transcript of the trial of Nicolae and Elena Ceaucescu on the 25th December 1989 rounds off the publication.
Includes entries for maps and atlases.