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In her debut memoir Narrow Margins Marie Browne saved her family from financial ruin by moving her long-suffering husband, three children and a dog on to a houseboat called Happy Go Lucky in search of a less stressful, alternative way of life. Now in Narrow Minds the family find themselves sucked back into normality, they're pretty much back where they started, horrible house, no boat and the kids are beginning to threaten mutiny. Facing perky postmen, ice skating cows, psychotic villagers and outraged rodents, they're running out of time, their financial situation is getting desperate and there's every chance life has conspired against them to make sure they never get back afloat. Until they find the answer to their dreams lies with Minerva, a narrow boat even more run-down than the first. This hilarious follow-up shows the lengths to which a desperate woman will go just to restore her preferred lifestyle.
“Oh, you live on a boat? That must be really cold in the winter...” Or, “Oh, you live on a boat? It must be great being so close to nature...” Or, “Oh, you live on a boat? It must be fantastic to be able to go wherever you like, whenever you like...” Narrow Escape sets out to dispel these commonly held public myths. From how to avoid assassination by ninja stealth ducklings, through definitive proof that kittens are aliens and the best way to sleep at forty-five degrees, to the importance of having the right boating equipment; (a child’s plastic sledge and a never ending supply of cotton wool balls). This month by month account of one family’s liveaboard year takes a firmly tongue in cheek look at what it takes to enjoy the ‘idyllic’ lifestyle.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. Spanning 1890 through the 1950s, all seven volumes of The London Stage series have been revised, corrected, and expanded. In addition, approximately 20 percent of the material—in particular, information about adaptations and translations, plot sources, and comment information—is new...
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres durin...