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An innovative account of one of the least-understood characters in the history of anthropology. Using previously overlooked, primary sources Ciarán Walsh argues that Haddon, the grandson of anti-slavery activists, set out to revolutionize anthropology in the 1890s in association with a network of anarcho-utopian activists and philosophers. He regards most of what has been written about Haddon in the past as a form of disciplinary folklore shaped by a theory of scientific revolutions. The main action takes place in Ireland, where Haddon adopted the persona of a very English savage in a new form of performed photo-ethnography that constituted a singularly modernist achievement in anthropology. From the Introduction: Alfred Cort Haddon was written out of the story of anthropology for the same reasons that make him interesting today. He was passionately committed to the protection of simpler societies and their civilisations from colonists and their supporters in parliament and the armed forces.
Differentiated book- It has a historical context with research of the time-Magic and Fetishism by Alfred C. Haddon.Alfred Cort Haddon was born on May 24, 1855, near London, the oldest son of John Haddon, head of a firm of founders and printers. She attended lectures at King's College London and taught zoology and geology at a girls' school in Dover, before entering Christ's College Cambridge in 1875. At Cambridge I studied zoology and became friends with John Holland Rose (later Harmsworth Professor of Naval History), whose sister he married in 1881. Shortly after earning his master's degree in Arts, he was appointed Protester in Zoology at Cambridge in 1879. During for a time I studied mari...
"The Classic Collection of Alfred C. Haddon: Illustrated" is a comprehensive anthology showcasing the influential works of Alfred C. Haddon, a prominent figure in the field of anthropology. This collection features illustrated editions of some of Haddon's most notable writings, including "History of Anthropology," "Head-hunters: Black, White, and Brown," "Magic and Fetishism," and "Legends of the Torres Straits." In "History of Anthropology," Haddon provides a detailed overview of the development of anthropology as a discipline, tracing its evolution from its earliest origins to contemporary practices. "Magic and Fetishism" delves into the realm of magical beliefs and practices, exploring th...
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First published in 1898, this pioneering work in the field of anthropology remains a classic of the discipline. The author, Alfred Cort Haddon, was a prominent British anthropologist who conducted fieldwork in the Torres Strait and elsewhere. The book covers a wide range of topics, including race, religion, and art. Suitable for students, scholars, and anyone interested in the human condition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Haddon’s History of Anthropology (1910) has been the first effort of this kind to give an outline of the developments in the discipline up to that period. The 1934 edition, which has been followed here was completely revised by Haddon. For Haddon, the scope of anthropology is spread in three major subdivisions: Human Biology, Cultural Anthropology (Ethnology) and Ethnography. This book has these three main sections which are again distributed into altogether nine chapters. The sections or parts deal with nature and definition of anthropology, voyagers and philosophers, professionalization and history from within the discipline. This celebrated and pioneering work of anthropology is being published for greater readership of the present generations to keep them abreast of the very foundational ideas in the discipline of anthropology. The book brings before us many of the information that are useful even today.
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In Haunting Biology Emma Kowal recounts the troubled history of Western biological studies of Indigenous Australians and asks how we now might see contemporary genomics, especially that conducted by Aboriginal and Torres Strait Islander scientists. Kowal illustrates how the material persistence of samples over decades and centuries folds together the fates of different scientific methodologies. Blood, bones, hair, comparative anatomy, human biology, physiology, and anthropological genetics all haunt each other across time and space, together with the many racial theories they produced and sustained. The stories Kowal tells feature a variety of ghostly presences: a dead anatomist, a fetishized piece of hair hidden away in a war trunk, and an elusive white Indigenous person. By linking this history to contemporary genomics and twenty-first-century Indigeneity, Kowal outlines the fraught complexities, perils, and potentials of studying Indigenous biological difference in the twenty-first century.