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The book asks all the right questions about society, culture, religion and art.
Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century. More than most social movements, feminism was transmitted and understood through culture—art installations, Ms. Magazine, All in the Family, and thousands of other cultural artifacts. But the phenomenon of cultural feminism came under extraordinary criticism in th...
Volume contains: 132 NY APP 154 (Starr v. Starr) 132 NY APP 222 (Embler v. Town of Wallkill) 132 NY APP 250 (Chem. Nat'l Bk v. Colwell) 132 NY APP 551 (Haaren v. Lyons) 132 NY APP 552 (Price v. Mapes) 132 NY APP 552 (Mitchell v. Metro. El. Rwy. Co.) 132 NY APP 555 (Thorn v. Metro. E. Rwy. Co.) 132 NY APP 593 (Hahlo v. Grant)
Representing the output of the research project "Performance: Conservation, Materiality, Knowledge," this volume brings together diverse voices, methods, and formats in the discussion and practice of performance conservation. Conservators, artists, curators and scholars explore the ontology of performance art through its creation and institutionalization into an astonishing range of methods and approaches for keeping performance alive and well, whether inside museum collections or through folk traditions. Anchored in the disciplines of contemporary art conservation, art history, and performance studies, the contributions range far beyond these to include perspectives from anthropology, music...