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Andreas Schlüter
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Andreas Schlüter
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Andreas Schlüter
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Visual Acuity and the Arts of Communication in Early Modern Germany
During the early modern period, visual imagery was put to ever new uses as many disciplines adopted visual criteria for testing truth claims, representing knowledge, or conveying information. Religious propagandists, political writers, satirists, cartographers, the scientific community, and others experimented with new uses of visual images. Artists, writers, preachers, musicians, and performers, among others, often employed visual images or conjured mental images to connect with their audiences. Contributors to this interdisciplinary collection creatively explore how the exponential growth in images, especially prints, impacted the intellectual horizons and the visual awareness of viewers in early modern Germany. Each of the chapters serves as a case study for one or more of the volume?s sub-themes: art, visual literacy, and strategies of presentation; audience and the art of persuasion; the art of envisioning; the ephemeral arts and theatricality; the built environment and spatial settings; and the history of the visual.
Encyclopedia of Interior Design
From ancient Greece to Frank Lloyd Wright, studiola to smoking rooms, chimney boards to cocktail cabinets, and papier-mâché to tubular steel, the Encyclopedia ofInterior Design provides a history of interior decoration and design from ancient times to the present day. It includes more than 500 illustrated entries covering a variety of subjects ranging from the work of the foremost designers, to the origins and function of principal rooms and furnishing types, as well as surveys of interior design by period and nationality all prepared by an international team of experts in the field. Entries on individuals include a biography, a chronological list of principal works or career summary, a primary and secondary bibliography, and a signed critical essay of 800 to 1500 words on the individual's work in interior design. The style and topic entries contain an identifying headnote, a guide to main collections, a list of secondary sources, and a signed critical essay.
Schlüteriana III
This third volume of the new serial publication »Schlüteriana« continues the commemoration of the 300th anniversary of Schlüter’s death and is dedicated solely to the funerary monuments created by the sculptor, his school, and followers in Berlin and the Brandenburg region of north-eastern Germany. The single text presented here is subtitled »Part Two: Germany« and serves as the second installment of a comprehensive, in-depth survey focused on this highly important genre in the sculptor’s oeuvre. It completes the examination initiated by »Part One: Poland« published in Schlüteriana II which dealt with Schlüter’s tomb art created during his earlier sojourn in Polish territorie...
