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Observation: Notation
Andrew Forge was an English painter and a teacher of painting (Yale University 1975–1994), renowned and respected on both sides of the Atlantic. But he was also known for his writing on the arts, spanning almost fifty years, which was admired for the delicacy and openness of his language and the ways in which he thought about the processes of perception in all their sensual possibilities. The selection here of his writings is intended to show the range of his interests and the particularly personal interpretations he brought to all he saw in an art with which he was so passionately engaged. It is also a fascinating record of the arts that were of concern in the years he wrote, from the work of Rubens to that of Rauschenberg and Frankenthaler, as well as, especially in his last essays, the work of his many friends and associates: Kenneth Martin, Euan Uglow, Jake Berthot, William Bailey, and Graham Nickson.
Andrew Forge
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Observation
The book brings together in one collection a large selection of Forge’s articles, exhibition reviews, catalogue essays, and other writings on fellow artists for the first time. This selection shows the range of his interests—from Rubens to Rauschenberg to Naum Gabo—and the interpretations he brought to the art with which he was so passionately engaged. His later essays also comprise a fascinating record of the contemporary arts during his life, including the work of his many friends and associates: Kenneth Martin, Euan Uglow, Jake Berthot, William Bailey, and Graham Nickson.
Andrew Forge
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Andrew Forge
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The Island
Nicholas Jenkins explores war, love, and politics in the early works of W. H. Auden, one of the twentieth century’s most controversial and moving poets. Auden’s poems embraced both haunted meditations on World War I and lyrical visions of English national identity until, in the mid-1930s, he lost faith in the artistic potential of such myths.
The Triumph of Modernism
Widely acknowledged as the most authoritative art critic of his generation, Hilton Kramer advanced his comments and judgments largely in the form of essays and short pieces. Thus this first collection of his work to appear in twenty years is a signal event for the art world and for criticism generally. The Triumph of Modernism not only traces the vicissitudes of the art scene but diagnoses the state of modernism and its vital legacy in the postmodern world. Mr. Kramer bracingly updates his incisive critique of the artists, critics, institutions, and movements that have formed the basis for modern art. Appearing for the first time in greatly expanded form is his consideration of the foundatio...
The Making of Modern Art
A new collection of key texts from a leading critic of modern art The critic Michael Peppiatt has been described by Art Newspaper as “the best art writer of his generation.” For more than 50 years, he has written trenchant and lively dispatches from the center of the international art world. In this new volume of key works, Peppiatt gives his unique insight into the making, collection, display, and interpretation of modern art. Covering the whole spectrum of modern art—from pioneers such as Gustav Klimt and Chaim Soutine, to collectors and dealers who played a pivotal role in the modern art world, to artists such as Francis Bacon, Bill Jacklin, and Frank Auerbach, with whom he had close relationships—Peppiatt interweaves personal anecdote with critical judgment. Each text is accompanied by a new short introduction, written in Peppiatt’s signature vivid and jargon-free style, in which he contextualizes his writings and reflects on significant moments in a lifetime of artistic engagement. This volume will provide readers with an exhilarating tour of 20th-century art.
Modern and Contemporary Art at Dartmouth
"Modern and Contemporary Art at Dartmouth focuses on post-1945 painting, sculpture, works on paper, photography, and new media, including interactive and multimedia works. The catalogue comprises several extensive entries on areas of strength in the Hood Museum of Art's modern and contemporary collections as well as over one hundred color illustrated entries on individual works, many of which have never before been published. Featured artists include El Anatsui, Romare Bearden, Alexander Calder, Bob Haozous, Juan Munoz, Alice Ned, Amir Nom, Mark Rothko, Ed Ruscha, Alison Saar, Richard Serra, and Lorna Simpson." --Book Jacket.
Encounter
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