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Anger, Revolution, and Romanticism
The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their relationship to the aggressive passions in the wake of the French Revolution. Drawing on diverse fields and discourses such as aesthetics, politics, medicine and the law and tracing the classical legacy the Romantics inherited, Stauffer charts the period's struggle to define the relationship of anger to justice and the creative self. In their poetry and prose, Romantic authors including Blake, Coleridge, Godwin, Shelley and Byron negotiate the meanings of indignation and rage amidst a clamourous debate over the place of anger in art and in civil society. This innovative book has much to contribute to the understanding of Romantic literature and the cultural history of the emotions.
The Buried Man
A thoroughly researched biography of the influential and bestselling author of 'King Solomon's Mines,' shining light on his formative years in South Africa.
Representing and Interrogating Dueling, Caning, and Fencing during the British Romantic Period
Representing and Interrogating Dueling, Caning, and Fencing during the British Romantic Period examines Romantic-era representations of physical interpersonal conflict and the ways in which they reflect, challenge, and subvert gender roles, class hierarchies, and racial and ethnic stereotypes. Along with fictional depictions of one-on-one physical aggression by writers such as Mary Robinson, William Godwin, Walter Scott, Lord Byron, and Mary Shelley, it considers historical accounts of honor violence. While recent studies of honor disputes during the Romantic period have tended to focus on the codified formal duel, this book considers other forms of physical aggression as well, including unr...
The Limits of Familiarity
What did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability—could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.
Landor's Cleanness
Cleanness, both in the sense of a neoclassical stylistic purity and of an individual moral and political probity, was centrally important to Walter Savage Landor's writing, both in his prose and poetry. At the same time, this commitment to purity was contaminated in a variety of eloquent and complicating uncleannesses: his own fiery temper and frequent rages; his sometimes scurrilous and sexually explicit Latin poems; and the innovative, compacted, proto-Modernist verse style of works such as his epic Gebir, as stylistically-tangled and potent a poem ever produced in the Romantic era. The present study, the first comprehensive study of Landor's writing for nearly half a century, addresses th...
Victorian Poetry
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Levi G. and Anna B. Witmer Ancestors and Descendants 1834-1997 ...
John and Maria Schallenberger Witmer came to Lancaster County, Pennsylvania from Berne, Switzerland. They took out land in 1760. Levi Witmer was one of their descendants. Descendants lived in Pennsylvania and elsewhere.
