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Multiparty elections in 2008 will, it is hoped, cement a transition towards peaceful stability in Angola, which has suffered from over forty years of violent civil war. This book looks at Angola's difficult past and then discuss its move away from hegemonic domination towards a multiparty political system and a civil society.
Provides an overview of the history and culture of Angola, featuring discussion of the country's religion and thought, the arts, cuisine and traditional dress, gender roles, marriage and family, social customs, and lifestyle.
The dark years of European fascism left their indelible mark on Africa. As late as the 1970s, Angola was still ruled by white autocrats, whose dictatorship was eventually overthrown by black nationalists who had never experienced either the rule of law or participatory democracy. Empire in Africa takes the long view of history and asks whether the colonizing ventures of the Portuguese can bear comparison with those of the Mediterranean Ottomans or those experienced by Angola’s neighbors in the Belgian Congo, French Equatorial Africa, or the Dutch colonies at the Cape of Good Hope and in the Transvaal. David Birmingham takes the reader through Angola’s troubled past, which included endemi...
Angola's Colossal Lie. Forced Labor on a Sugar Plantation, 1913-1977 is the first in-depth study of forced labor on a Portuguese-owned sugar plantation in colonial Angola. A prominent Portuguese civil servant dubbed the labor system in Angola a “colossal lie” because the reality so contradicted the law. Using extensive oral history interviews with former forced laborers, Jeremy Ball explains how Angolans experienced forced labor. Ball also interviews former Portuguese administrators to provide multiple perspectives about the transition to independence and the nationalization of the plantation.
Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and ext...
This history by celebrated Africanist David Birmingham begins in 1820 with the Portuguese attempt to create a third, African, empire after the virtual loss of Asia and America. In the nineteenth century the most valuable resource extracted from Angola was agricultural labor, first as privately owned slaves and later as conscript workers. The colony was managed by a few marine officers, by several hundred white political convicts, and by a couple of thousand black Angolans who had adopted Portuguese language and culture. The hub was the harbor city of Luanda which grew in the twentieth century to be a dynamic metropolis of several million people. The export of labor was gradually replaced whe...
Monograph tracing the historical development of Angola, with particular reference to political problems and the role of Portugal - examines the living conditions under colonialism, cultural factors, guerrilla warfare activities, the growth of nationalism, the political system, etc. Bibliography pp. 351 and 352, maps and references.