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George W.M. Reynolds (1814–79) was one of the biggest-selling novelists of the Victorian era. He was the author of over 58 novels and short stories and his “penny blood” The Mysteries of London, serialised in weekly numbers between 1844 and 1848, sold over a million copies. A controversial figure in his lifetime, Reynolds’s Mysteries, and its follow-up The Mysteries of the Court of London (1849–56), contained tales of crime, vice, and highly sexualised scenes. For this reason Charles Dickens remarked that Reynolds’s name was one “with which no lady’s, and no gentleman’s, should be associated.” Yet Reynolds was much more than just a novelist; he was lauded by the working classes as their champion and campaigned for universal suffrage. To further the working classes’ cause, he established two newspapers: Reynolds’s Political Instructor and Reynolds’s Weekly Newspaper. The latter newspaper, as Karl Marx recognized, became the principal organ of radical and labour politics. This book provides a biography of Reynolds and reproduces his editorials from Reynolds’s Political Instructor as well as excerpts from his fiction.
This volume examines the emergence of modern popular culture between the 1830s and the 1860s, when popular storytelling meant serial storytelling and when new printing techniques and an expanding infrastructure brought serial entertainment to the masses. Analyzing fiction and non-fiction narratives from the United States, France, Great Britain, Germany, Austria, Turkey, and Brazil, Popular Culture—Serial Culture offers a transnational perspective on border-crossing serial genres from the roman feuilleton and the city mystery novel to abolitionist gift books and world’s fairs.
This essay collection proposes that G.W.M. Reynolds’s contribution to Victorian print culture reveals the interrelations between authorship, genre, and radicalism in popular print culture of the nineteenth century. As a best-selling author of popular fiction marketed to the lower classes, and a passionate champion of radical politics and "the industrious classes," Reynolds and his work demonstrate the relevance of Victorian Studies to topics of pressing contemporary concern including populism, working-class fiction, the concept of ‘originality’, and the collective scholarly endeavour to ‘widen’ and ‘undiscipline’ Victorian Studies. Bringing together well-known and newly-emerging scholars from across different disciplinary perspectives, the volume explores the importance of Reynolds Studies to scholarship on the nineteenth-century. This book will appeal to students and scholars of the nineteenth-century press, popular culture, and of authorship, as well as to Victorian Studies scholars interested in the translation of Victorian texts into new and indigenous markets.
Based on extensive new research investigating the range of women's involvement in early nineteenth-century popular politics, mid-Victorian reform and the women's movements of the late century, Women and the People makes an original intervention in the historiography of the radical tradition by exploring the interconnections of populism, liberalism and feminism. Attending to authorship, the study argues that the representational forms adopted by radicals were as important as the content of what they said in shaping their self-perception, their construction of others, and the reception of their ideas. In fiction, poetry and autobiography, as well as in political writing, speeches and journalis...
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Contains 627 alphabetically arranged essays that examine significant people, places, and events in the social, political, and intellectual history of Great Britain during the sixty-four-year reign of Queen Victoria, from 1837 to 1901.