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“Have nothing in your house that you do not know to be useful, or believe to be beautiful.” This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary ideas in Victorian England. In the middle of the “soulless” Industrial Era, when objects were standardised, the Arts & Crafts movement proposed a return to the aesthetic at the core of production. The work of artisans and meticulous design thus became the heart of this new ideology, which influenced styles throughout the world, translating the essential ideas of Arts & Crafts into design, architecture and painting.
On arts and crafts design movement.
In "The Arts and Crafts Movement," T. J. Cobden-Sanderson presents a comprehensive examination of the aesthetic, cultural, and social ideals underpinning one of the most significant artistic movements of the late 19th and early 20th centuries. Cobden-Sanderson deftly intertwines rich historical context with a passionate advocacy for the return to handcraftsmanship in a rapidly industrializing world. The book's literary style is marked by eloquence and a deep reverence for the craft, reflecting the movement'Äôs emphasis on beauty, functionality, and the ethical dimensions of art. Through a series of essays and critical analyses, the text explores key figures and their contributions, while a...
"Reveals ... the exquisite work and extraordinary skill of a group of New Zealand artists, most of them women, working in a wide variety of art and craft forms ... This flowering of local talent ... originated in the British Arts and Crafts movement and is associated with the growth of art education in this country: its quiet but dedicated character also suggests much about the situation of women in the years before and after 1900"--Jacket.
This fresh look at the Arts and Crafts Movement charts its origins in reformist ideals, its engagement with commercial culture, and its ultimate place in everyday households.
Excerpt from Chapters in the History of the Arts and Crafts Movement The primary motive of the arts and crafts movement is, as the name implies, the association of art and labor. Initially an English movement, it has been slowly emerging from the general industrial field for about forty years, though its differentiation into a distinct phase of industrialism belongs to the last ten years. I count 1860 as the approximate year of its beginning, when William Morris built his famous Red House on the outskirts of London, and served his apprenticeship to the industrial arts by designing and executing the decoration and furniture of his home. On its theoretical side the movement is, of course, much...
Examines the goals of the Arts and Crafts movement
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