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The Routledge Handbook of the History of Paris since 1789
This handbook assembles a vibrant collection of original scholarship highlighting new and exciting research themes on Paris in the Modern Era. It provides an innovative selection and use of primary sources, broadens the notion of “archive,” and includes diverse voices and multiple perspectives. The contributors, representing a range of academic disciplines in the humanities and social sciences, connect specific topics to larger historical questions and extend consideration of Paris beyond the city’s historical limit to the outskirts of the metropolis in the Île-de-France region. The first section includes overview chapters tracing structural evolutions and broad movements as understoo...
Reconnected
We’re all in this together. Strong social connections make communities more resilient. But today Australians have fewer close friends and local connections than in the past, and more of us say we have no-one to turn to in tough times. How can we turn this trend around? In Reconnected, Andrew Leigh and Nick Terrell look at some of the most successful community organisations and initiatives – from conversation groups to community gardens, from parkrun to Pub Choir – to discover what really works. They explore ways to encourage philanthropy and volunteering, describe how technology can be used effectively, and introduce us to remarkable and inspirational leaders. Reconnected is an essenti...
Paper and Light
This volume looks at the techniques and materials that artists have utilized since the Renaissance to create spectacular light effects in drawings. The treatment of light and shadow is one of the building blocks of drawing. From techniques such as highlights and reserves, to material selection and the creation of translucent tracing paper, to the use of light as a medium for viewing artworks, artists for hundreds of years have found innovative and dazzling ways to create light on a sheet of paper. This publication examines the central relationship between paper and light in the world of drawings in western European art from the Renaissance to the twentieth century. Focusing on drawings from ...
The Story of Drawing
Drawing is at the heart of human creativity. The most democratic form of art-making, it requires nothing more than a plain surface and a stub of pencil, a piece of chalk or an inky brush. Our prehistoric ancestors drew with natural pigments on the walls of caves, and every subsequent culture has practised drawing - whether on papyrus, parchment or paper. Artists throughout history have used drawing as part of the creative process. While painting and sculpture have been shaped heavily by money and influence, drawing has always offered extraordinary creative latitude. Here we see the artist at his or her most unguarded. Susan Owens offers a glimpse over artists' shoulders - from Michelangelo, Rembrandt and Hokusai to Van Gogh, Käthe Kollwitz and Yayoi Kusama - as they work, think and innovate, as they scrutinise the world around them or escape into their imaginations. The Story of Drawing loops around the established history of art, sometimes staying close, at other times diving into exhilarating and altogether less familiar territory.
