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Songs of the South African AIDS Crisis
Using the concept of musical effervescence, a collective state of synchronized and focused intersubjectivity through music, Gavin Robert Walker reveals how and why songs have become such a ubiquitous and formidable force within the AIDS epidemic in Africa. Drawn from a rich and powerful cultural history, music has been used to inspire HIV/AIDS activism and advocacy, facilitate local psychosocial healing, communicate life-saving health information, motivate communities towards healthy behaviors, and promote acceptance of individuals living with HIV. In this book, Walker introduces musical effervescence, a collective state of synchronized and focused intersubjectivity through music, to reveal ...
The SAGE International Encyclopedia of Music and Culture
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world′s musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology′s fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by...
Nigerian Female Dramatists
This book showcases the important, but often understudied, work of Nigerian women playwrights. As in many spheres of life in Nigeria, in literature and other creative arts the voices of men dominate, and the work of women has often been sidelined. However, Nigerian women playwrights have made important contributions to the development of drama in Nigeria, not just by presenting female identities and inequalities but by vigorously intervening in wider social and political issues. This book draws on perspectives from culture, language, politics, theory, orality and literature, to shine a light on the engaged creativity of women playwrights. From the trail blazing but more traditional contributions of Zulu Sofola, through to contemporary postcolonial work by Tess Osonye Onwueme, Julie Okoh, and Sefi Atta, to name just a few, the book shows the rich variety of work being produced by female Nigerian dramatists. This, the first major collection devoted to Nigerian women playwrights, will be an important resource for scholars of African theatre and performance, literature and women’s studies.
Indigenous Systems, Colonialism, Colonial Legacies, and Africa’s Economic Challenges
This book is an exploration of Africa’s enduring struggles and immense potential. It examines the historical roots of Africa’s socio-economic challenges, from the disruption of indigenous systems to the lasting effects of colonialism and neo-colonialism. By blending African philosophical perspectives with incisive critiques of globalization and governance, it provides a fresh and compelling analysis of the continent’s path toward true sovereignty and sustainable development. Rich with historical depth and philosophical insight, this work challenges conventional narratives about African development and offers innovative strategies for breaking free from dependency on global capitalist systems. With its interdisciplinary approach and forward-looking solutions, this book is an essential resource for scholars, policymakers, and anyone invested in Africa’s transformation.
Music, Culture, and the Politics of Health
This book is an ethnographic study of a HIV/AIDS choir who use music to articulate their individual and collective experiences of the disease. The study interrogates as to understand the bigger picture of HIV/AIDS using the approach of microanalysis of music event. It places the choir, and the cultural and political issues addressed in their music in the broader context of South Africa's public health and political history, and the global culture and politics of AIDS.
A Transnational Poetics
Poetry is often viewed as culturally homogeneous—“stubbornly national,” in T. S. Eliot’s phrase, or “the most provincial of the arts,” according to W. H. Auden. But in A Transnational Poetics, Jahan Ramazani uncovers the ocean-straddling energies of the poetic imagination—in modernism and the Harlem Renaissance; in post–World War II North America and the North Atlantic; and in ethnic American, postcolonial, and black British writing. Cross-cultural exchange and influence are, he argues, among the chief engines of poetic development in the twentieth and twenty-first centuries. Reexamining the work of a wide array of poets, from Eliot, Yeats, and Langston Hughes to Elizabeth Bishop, Lorna Goodison, and Agha Shahid Ali, Ramazani reveals the many ways in which modern and contemporary poetry in English overflows national borders and exceeds the scope of national literary paradigms. Through a variety of transnational templates—globalization, migration, travel, genre, influence, modernity, decolonization, and diaspora—he discovers poetic connection and dialogue across nations and even hemispheres.
