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'Choosing Tough Words'
If the post of Poet Laureate was allocated on the basis of popularity, Carol Ann Duffy would have been the first woman to hold this prestigious post. Like Philip Larkin in his day, Duffy is both a poet respected by many academics and teachers, and widely read and enjoyed by children and adult readers of poetry. This is the first full-length collection of essays on the poetry of Carol Ann Duffy, approaching and exploring her work from a variety of literary theoretical perspectives, including feminism, masculinity, national identity, and post-structuralism. This lively anthology situates Duffy's poems in relation to current debates about the state, value and social relevance of contemporary British poetry.
The Marquise de Gange
'It is time to die, Madame: there shall be no mercy for you..!' It was one of the most shocking crimes of the seventeenth century, and would provide Sade with the inspiration for the last novel he published. The beautiful and virtuous Euphrasie, admired by the King himself, falls in love with the young and handsome Alphonse, Marquis de Gange. Within the forbidding walls of his castle in Provence, however, sinister forces are conspiring against the young couple. Alphonse's brothers, the Abbé and the Chevalier, want Euphrasie for themselves. Published in English for the first time, The Marquise de Gange is a neglected Gothic classic by one of the most notorious authors in the literary canon. Although a departure from his earlier pornographic and libertine works, beneath the novel's thin veneer of respectability lurks the same subversive presence of an author plotting against virtue in distress.
Iris Murdoch and Harry Weinberger
The novelist and philosopher Iris Murdoch and the painter Harry Weinberger engaged in over twenty years of close friendship and intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art. This book presents a reappraisal of Murdoch’s novels – chiefly, three mature novels, The Sea, The Sea (1978), Nuns and Soldiers (1980) and The Good Apprentice (1985), and two enigmatic late novels, The Green Knight (1993) and Jackson’s Dilemma (1995) – which are perceived through the prism of her discourse with Weinberger. It draws on a run of almost 400 letters from Murdoch to Weinberger, and on Murdoch’s philosophical writings, Weinberger’s private wr...
Iris Murdoch and the Western Theological Imagination
Scholarly interest in theological aspects of Murdoch’s fiction and philosophy took off slowly. It was thirty years after her writing debut that the first work taking detailed notice of the theological language deployed by this overtly-atheist author appeared, and it was a further decade before theologians began to engage with Murdoch’s work together. But it was not until the twenty-first century that this aspect of Murdoch’s thought and imagination began to receive sustained attention. This collection seeks to build on this foundation, begun forty years ago, and to expand the work in this area of Murdoch studies which has lately been gathering momentum. This project consolidates earlier discussion of the vital part theology plays in Murdoch’s thought, and then takes the debate in new directions. Contributors include a wide range of current Murdoch scholars from diverse disciplines who develop debate about this subject in a variety of innovative and fruitful ways, to inspire future works in this area of Murdoch studies.
Iris Murdoch Connected
"Iris Murdoch was one of the most interesting and wide-ranging philosophers in recent British history. In addition to her five works on moral philosophy and existentalism, including Metaphysics as a Guide to Morals, she was the author of twenty-five works of fiction, including The Sea, the Sea, winner of the Booker Prize, and The Black Prince, winner of the James Tait Black Memorial Prize. This collection reassesses her literary and philosophical output, focusing on her key literary works and the influence she had among contemporary philosophers" --
Horror Literature through History
This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertai...
About Marginalisation Among Contemporary Portuguese Women Writers
Seminar paper from the year 2015 in the subject Romance Studies - Portuguese Studies, grade: 62, University of Birmingham, course: BA Modern Languages, language: English, abstract: “The great art of writing consists in selecting what is most stimulant from the works of our predecessors, and in uniting the gathered beauties in a new whole, more interesting than the tributary models.” (Anon: 1797b, 451). This anonymous eighteenth-century reviewer demonstrates why a pre-existing literary tradition is so important for authors. If, however, the ‘works of our predecessors’ refers solely or predominantly to the works of men, from what literary tradition does a modern female author draw? The...
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Writing, a Woman's Business
In a dozen feminist essays, contributors deconstruct women, fiction, and the reading public (e.g., "Her brilliant career: the marketing of Angela Carter"); theorizing the marketplace ("Marketing Black women's texts: the case of Alice Walker"); and women in the business ("Women writers as an unprotected species"). Marilyn Monroe is an unexpected index entry; name index only. Includes a few bandw photos. Distributed in the US by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
