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Performing Islam takes as its main focus the rich array of ceremonial activities that shape and inform the lives of circles of women in south Tehran. Based on anthropological fieldwork, the book describes and analyses rituals that mark religious anniversaries and life course events in Iran today. Arguing that the ritual performances are powerful forums where ideas develop, and where rules, symbols and discourses are contested, this book discusses the values and beliefs underpinning gender constructions in a rapidly changing and complex society. The ambiguous metaphorical language of the rituals is examined, revealing how gender ideologies are projected and renewed, but also challenged, destabilized and ridiculed. Thus the rituals provide possibilities for self-expression, innovation and incremental change. This study goes beyond questions of meaning and culture to interrogate the dynamics of gender performance as products of power and politics.
Investigates how women, religion and culture have interacted in the context of 19th and 20th century Iran, covering topics as seemingly diverse as the social and cultural history of Persian cuisine, the work and attitudes of 19th century Christian missionaries, the impact of growing female literacy, and the consequences of developments since 1979.
Unique study which offers new perspectives on contemporary Islamic iconography And The use of imageries in ritual contexts.
In this important new work, Margaret Meriwether and Judith Tucker synthesize and make accessible the results of the extensive research on women and gender done over the last twenty years. Using new theoretical approaches and methodologies as well as nontraditional sources, scholars studying women and gender issues in Middle Eastern societies have made great progress in shedding light on these complex subjects. A Social History of Women and Gender in the Modern Middle East provides an overview of this scholarship on women and gender in the nineteenth- and twentieth-century Middle East.The book is organized along thematic lines that reflect major focuses of research in this area—gender and w...
Much feminist scholarship has viewed Catholicism and Shi'i Islam as two religious traditions that, historically, have greeted feminist claims with skepticism or outright hostility. Creative Conformity demonstrates how certain liberal secular assumptions about these religious traditions are only partly correct and, more importantly, misleading. In this highly original study, Elizabeth Bucar compares the feminist politics of eleven US Catholic and Iranian Shi'i women and explores how these women contest and affirm clerical mandates in order to expand their roles within their religious communities and national politics. Using scriptural analysis and personal interviews, Creative Conformity demo...
This collection of essays challenges the traditional patriarchal approach to sacred literature by highlighting gender parity in sacred texts and envisioning the rise of the matriarchy in the future. The authors redefine Biblical Greek words like malakoi and arsenokoitai used in condemnation of homosexuality, and Qur’anic words like darajah and qawwamun, used for establishing patriarchy. One author reexamines the role of the Nepalese Teej festival of fasting and worship of the god Shiva in promoting male hegemony in Hinduism. Other papers examine passages like Proverbs 31:1-31, the stories of Sarah and Rahab in the Bible, the role of Mary in the Qur’an, and the Dharmic conversion in chapter 27 of the Lotus Sutra. This book makes it clear that sacred literature is subject to human understanding as it evolves through space and time. Today, as more women are educated and actively engaged in political, economic, and social life, religions are challenged to redefine gender roles and norms.
Commemorating the Battle of Karbala, in which the Prophet Mohammad's grandson Hosayn and seventy-two of his family members and supporters were martyred in 680 CE, is the central religious observance of Shi'i Islam. Though much has been written about the rituals that reenact and venerate Karbala, until now no one has studied women's participation in these observances. This collection of original essays by a multidisciplinary team of scholars analyzes the diverse roles that women have played in the Karbala rituals, as well as the varied ways in which gender-coded symbols have been used within religious and political discourses. The contributors to this volume consider women as participants in ...
This book introduces the special dynamics of women and their close relationships with the gift in both past and contemporary religious settings. Written from a cross-cultural perspective, it challenges depictions of women’s roles in religion where they have been relegated to compliance with specifically designated gendered attributes. The different chapters contest the resultant stereotypes that deny women agency. Each chapter describes women as engaged in an aspect of religion, from that of ritual specialists, to benefactors and patrons, or even innovators. The volume examines topics such as sainthood and sacrifice so as to refine these ideas in constructive ways that do not devalue women. It also examines the meaning of the term “gift” today, embracing the term in both figurative and literal ways. Such a collection of diverse women’s writings and activities provides a significant contribution to their quest for recognition, and also suggests ways this can be understood and realized today.
The Bloomsbury Handbook of Muslims and Popular Culture illustrates how Muslims participate in a broad spectrum of activities. Moving beyond a framework that emphasizes ritual, legal, historical, or theological issues, this book speaks to how Muslims live in the world, in relation to their religion and the realities of the world around them. The international team of contributors provide in-depth analysis that chronicles Islamic cultural products in regional and transnational contexts, explores dominant and emerging theories about popularization, and offers provocations in the field of religion and popular culture. The handbook is structured in six parts: spaces; appetites; performances; readings; visions; and communities. The book explores a variety of Muslim societies and communities within the last 100 years, ranging from the Islamic presence in Latin American architecture to Muslim Anglophone hip-hop, and Muslims in modern Indian theatre.
The veiling and unveiling of women have been controversial issues in Turkey since the late-Ottoman period. It was with the advent of local campaigns against certain veils in the 1930s, however, that women's dress turned into an issue of national mobilisation in which gender norms would be redefined. In this comprehensive analysis of the anti-veiling campaigns in interwar Turkey, Sevgi Adak casts light onto the historical context within which the meanings of veiling and unveiling in Turkey were formed. By shifting the focus from the high politics of the elite to the implementation of state policies, the book situates the anti-veiling campaigns as a space where the Kemalist reforms were negoti...