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This collection offers an expansive, multiplatform exploration of the rapidly-expanding area of motion design and motion graphics, taking into account both theoretical questions and creative professional practice. Spanning interaction design, product interfaces, kinetic data visualizations, typography, TV and film title design, brand building, narrative storytelling, history, exhibits and environments, editors R. Brian Stone and Leah Wahlin offer an interdisciplinary range of academic essays and professional interviews that together form a dialogue between motion design theory and professional practice. Written for both those critically engaged with motion design as well as those working or ...
All over the world, people get dressed, mostly for the same reasons. Why, then, do we look so different from each other? The answers lie in the constellations of factors that contribute to the human condition, from climate to conformity, gender expression to race and ethnicity. Beginning with the body as the organizing principle around which to study dress, this 50th anniversary edition of The Visible Self makes sense of humans as biological, social, and aesthetic creatures based on cross-disciplinary concepts and examples. It explores the daily act of dress in cultures around the world, using the word “dress” to describe the wide variety of behaviors connected to the act of adorning our...
This book is a pioneering study of temporal typography and time-based calligraphic art written in the Arabic system of writing. Inspired by the innate qualities of Arabic script as well as certain practices in Islamic calligraphy and contemporary calligraphic art, the book devises five broad categories of temporal behaviors for Arabic characters in time-based media. It goes onto expand the vocabulary used to describe Arabic script’s appearance in time-based media and proposes a theory to help artists, practitioners, and theoreticians push the boundaries of temporal text-based art. Furthermore, it tackles questions of legibility and readability, and seeks to understand how temporality of Arabic text influences the creation of meaning. This book will therefore appeal not only to animators, designers, and artists, but also to commentators and scholars who deal with temporal text-based art written in Arabic script.
This ebook is an inter-disciplinary collection of topics representing conventional and unconventional approaches to fashion studies, exposing a wide variety of methodological perspectives from fields including anthropology, history, art history, sociology, and material culture.
Vol. 77- includes Yearbook of the Association, 1931-
Was there a horse sense in the medieval period? Why did word-licking dogs inhabit manuscript borders? The seven intriguing articles in this publication explore animals on the edge and the boundaries between humans and animals. These articles provide insights into the discussions in animal studies and medieval studies about the multiple roles of medieval fauna, challenging our understanding of how animals were understood in the Middle Ages. The authors of the articles demonstrate how humans have always constructed animals but also have been constructed by animals. The examples are drawn from manuscripts, fables, textual and visual accounts, as well as material culture. This publication raises interesting aspects about the profound and ambiguous relationship between animals and humans, edges and boundaries, hybridity and anthropomorphism, ideas and identities.
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Wealth of different articles & topics: Antique, chinas; American, Chase, G. Averill; French A. Marque, Bru; German, papier-mache, Steiff; collectible, celebrity, Schoenhut, Lenci, K. Kruse, Shirley Temple, and Revlon. New dolls at Toy Fair (1983, 1984 & 1985). 81 color and 482 b/w photos.