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A great storyteller, Barry Callaghan is one of the most distinctive man of letters Canada has ever produced. He is fascinated by the no-man's land that stands between fiction and journalism. Politically and culturally engaged, he is a public scholar and acute critic in the tradition of Edmund Wilson. Barry Callaghan's fiction and poetry have been translated into seven languages. Among the contributorsare Margaret Atwood, Timothy Findley, Marie-Claire Blais, William Kennedy, Janice Kulyk Keefer, Dennis Lee, Hayden Carruth, Patrick Lane, Seán Virgo, Robert Marteau, James Hart, David Lampe, Joe Rosenblatt, Leon Rooke, Brunella Antomarini, John Montague, Ray Robertson, Ray Ellenwood, Kathleen McCracken, Michel Deguy, Branko Gorjup, Michael Keefer, Rosemary Sullivan, David Sobelman and Gale Zoë Garnett. Priscila Uppal, Ph.D. English Literature, is a poet and a novelist. She is also a professor of Humanities and English at York University.
A collection of files for Exile, a literary journal based in Toronto; contains manuscripts with notes, revisions, instructions to the printer, and galley proofs for poems, short stories, essays, plays and art which appeared in Exile from 1972-75; includes 171 photographs and other graphic material.
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Translocated Modernisms is a collection of ten chapters partitioned into sections and framed by an introduction by the editors and a coda by Kit Dobson, which is interested in those who thronged to the vibrant streets, cafés, and salons of Montparnasse, those who stayed such as Brion Gysin and Mavis Gallant, those who returned “home” such as Morley Callaghan, John Glassco, David Silverberg, and Sheila Watson, and those who galvanized local cultural practices by appropriating and translating them from elsewhere. While for some Paris becomes a permanent home, for others, it is simply a temporary excursion which can last for months, or for many years. The collection opens up the Lost Gener...
This book traces the remarkable journey of Hébert’s shifting authorial identity as versions of her work traveled through complex and contested linguistic and national terrain from the late 1950s until today. At the center of this exploration of Hébert’s work are the people who were inspired by her poetry to translate and more widely disseminate her poems to a wider audience. Exactly how did this one woman’s work travel so much farther than the vast majority of Québécois authors? Though the haunting quality of her art partly explains her wide appeal, her work would have never traveled so far without the effort of scores of passionately committed translators, editors, and archivists....
This is the third volume of essays from Canada’s Man of Letters, following the critically acclaimed Raise You Five and Raise You Ten. Novelist and poet Barry Callaghan is one of Canada’s great journalists. He has received every major award in North America – more than a dozen National Magazine awards, seven of them gold, and in the U.S., the Lowell Thomas Award, and the Pushcart Prize. His journalism covers an astonishing range, from serious political reporting to autobiography, sports writing, and travel writing. In the late sixties at the Toronto Telegram, he began his career as a books editor and weekly columnist, setting a standard that has rarely been met since. He became a war correspondent in theMiddle East and Africa, and a translator of, and commentator on, the culture and politics of European countries from Spain to Russia. Masterfully written, this third volume of essays and encounters is “literary criticism and cultural history of a high order, in turn joyous, acerbic, celebratory.” Globe & Mail
Margaret Atwood, Leonard Cohen, Ray Robertson, Bronwen Wallace—these are just a few authors whose unforgettable words have made them icons of Canadian literary expression. In Portraits of Canadian Writers, Bruce Meyer presents his own personal experience of these and many more seminal Canadian authors, sharing their portraits alongside amusing anecdotes that reveal personality, creativity, and humour. Meyer’s snapshots, both visual and textual, reveal far more than just physical appearance. He captures tantalizing glimpses into the creative lives of writers, from contextual information of place and time to more intangible details that reveal persona, personality and sources of imaginative inspiration. Through these portraits, Meyer has amassed a visual archive of CanLit that illustrates and celebrates an unparalleled generation of Canadian authorship.