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The Sublime in Schopenhauer's Philosophy
The Sublime in Schopenhauer's Philosophy transforms our understanding of Schopenhauer's aesthetics and anthropology. Vandenabeele seeks ultimately to rework Schopenhauer's theory into a viable form so as to establish the sublime as a distinctive aesthetic category with a broader existential and metaphysical significance.
The Oxford Handbook of Schopenhauer
More than two hundred years after the publication of his seminal The World as Will and Representation, Arthur Schopenhauer's influence is still felt in philosophy and beyond. As one of the most readable and central philosophers of the 19th century, his work inspired the most influential thinkers and artists of his time, including Nietzsche, Freud, and Wagner. Though known primarily as a herald of philosophical pessimism, the full range of his contributions is displayed here in a collection of thirty-one essays on the forefront of Schopenhauer scholarship. Essays written by contemporary Schopenhauer scholars explore his central notions, including the will, empirical knowledge, and the sublime...
Schopenhauer's 'The World as Will and Representation'
Presents a variety of scholarship on Schopenhauer's monumental text, placing it among the canonical works of nineteenth-century philosophy.
The Schopenhauerian Mind
Arthur Schopenhauer (1788-1860) is now recognised as a figure of canonical importance to the history of philosophy. Schopenhauer founded his system on a highly original interpretation of Kant’s philosophy, developing an entirely novel and controversial worldview guided centrally by his striking conception of the human will and of art and beauty. His influence extends to figures as diverse as Fredrich Nietzsche, Ludwig Wittgenstein and Iris Murdoch within philosophy, and Richard Wagner, Thomas Hardy, Sigmund Freud, Thomas Mann, Samuel Beckett and Jorge Luis Borges outside it. The Schopenhauerian Mind is an outstanding, wide-ranging collection that explores the rich nature of Schopenhauer's ...
Current Trends in Pragmatics
The volume brings together twenty articles written by established linguists, language philosophers, sociologists and psychologists, sharing their academic interest in a broad and interdisciplinary field of linguistic pragmatics. The collection consists of four thematic parts: “Pragmatics and Cognition,” “The Semantics-Pragmatics Interface,” “Conversational and Text Analysis” and “Pragmatics, Social Research and Didactics.” It aims to contribute to the debate on the present-day status of pragmatics, by examining three fundamental issues. The first involves the question of the current explanatory power of pragmatics, namely, how successful is the existing apparatus of pragmatic...
A Companion to Schopenhauer
A Companion to Schopenhauer provides a comprehensive guide to all the important facets of Schopenhauer’s philosophy. The volume contains 26 newly commissioned essays by prominent Schopenhauer scholars working in the field today. A thoroughly comprehensive guide to the life, work, and thought of Arthur Schopenhauer Demonstrates the range of Schopenhauer’s work and illuminates the debates it has generated 26 newly commissioned essays by some of the most prominent Schopenhauer scholars working today reflect the very latest trends in Schopenhauer scholarship Covers the full range of historical and philosophical perspectives on Schopenhauer’s work Discusses his seminal contributions to our understanding of knowledge, perception, morality, science, logic and mathematics, Platonic Ideas, the unconscious, aesthetic experience, art, colours, sexuality, will, compassion, pessimism, tragedy, pleasure, and happiness
Proceedings and Addresses of the American Philosophical Association
List of members in v. 1-
Why Music Moves Us
Surely you’ve experienced it before: you’re listening to a piece of music and all of a sudden you find a lump in your throat, a tear in your eye, or a chill down your spine. Whether it’s Beethoven’s Choral Symphony or The Verve’s ‘Bittersweet Symphony’, a bit of blues or a bit of baroque, music has the power to move us. It’s a language which we all speak. But why does it have this effect on us? What is going on, emotionally, physically and cognitively when listeners have strong emotional responses to music? What, if anything, do such responses mean? Can they tell us anything about ourselves? Jeanette Bicknell uses research in philosophy, psychology, neuroscience, and anthropology to address these questions, ultimately showing us that the reason why some music tends to arouse powerful experiences in listeners is inseparable from the reason why any music matters at all. Musical experience is a social one, and that is fundamental to its attractions and power over us.
