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This edition of Ben Jonson's four middle comedies places the works in the popular history and culture of the times, 1605-1614, and surveys the influences, both classical and contemporary, on Jonson as a playwright. On-the-page annotations recreate the audiences perception of the plays as performances by commenting on the stage-directions, the self-conscious theatricality of characters and scenes, and the vivid colloquialisms of early modern London that give the dialogue a heightened dimension of realism. Brief introductions to each play discuss the local settings, sources, theatre history and further readings. The general introduction includes a biography of Jonson, a chronology of the plays and masques, and separate essays on each play, dealing particularly with Jonson's satirical treatments of trends and shams of the day, whether political, social, commercial, or spiritual.
This collection highlights exciting new areas of research related to Ben Jonson, including book history, social history and cultural geography.
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Soldier, satirist, duellist, principal masque-writer to the early Stuart court, tutor to the son of Sir Walter Ralegh, and Shakespeare's greatest contemporary, Ben Jonson was a complex and volatile character. Ian Donaldson's new biography draws on freshly discovered writings by and about Jonson to provide a vivid depiction of his remarkable life.
Critical and historical notes and separate memoirs of Christopher Marlowe, Robert Greene, and Ben Jonson.