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Franz Liszt: The final years, 1861-1886
This is the third in a set of three books following the life and achievements of Franz Liszt. This volume focuses on his final years, from 1861-1886.
The Aesthetic Legacy of Eduard Hanslick
This book addresses the complex conceptual, historical, and philosophical questions posed by Eduard Hanslick’s influential aesthetic treatise, On the Musically Beautiful (1854). The contributions reveal the philosophical foundations and subtleties of his aesthetic approach. The collection features original essays written by leading scholars in philosophical aesthetics and musicology. It covers many of Hanslick’s overarching themes, such as the relationship between beauty and form, between music and emotion, and the role of imagination and performance in music, which have recently gained prominence in Hanslick scholarship. The chapters, divided into five thematic sections, will provide a better scholarly foundation for a deeper understanding of On the Musically Beautiful and its arguments. In bringing together the various approaches and accounts of the different textual, historical, conceptual, and philosophical challenges posed by Hanslick’s aesthetics, The Aesthetic Legacy of Eduard Hanslick will appeal to philosophers of music, historians of aesthetics, musicologists specializing in 19th-century studies, and music theorists working on aesthetic issues.
Mozart's Operas and National Politics
This wide-ranging study explores how Czech and German nationalism influenced the reception of Mozart's operas in Prague over the centuries. It demonstrates the role of politics in the construction of the Western musical canon, revealing how both Czech and German factions in Prague used Mozart's legacy to promote their political interests.
Eduard Hanslick and Ritter Berlioz in Prague
In 1846, Hector Berlioz, one of the most revolutionary of composers, gave six concerts in Prague, at that time one of the most musically conservative cities in Europe. Debate raged in the journals and coffee-houses over whether Berlioz's compositions could rightly be considered music at all. Eduard Hanslick, aged twenty and destined to become the most influential music critic of his day, was in the midst of the excitement in Prague over Berlioz. As Geoffrey Payzant's documentary narrative tells, Hanslick there and then abandoned his youthful romanticism and adopted the formalistic view of the nature of music that characterised his writings for the remainder of his long working life.
Absolute Music
In Absolute Music: The History of an Idea, author Mark Evan Bonds examines how writers have struggled to isolate the essence of music in ways that account for its profound effects on the human spirit. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to twentieth-century America, Bonds provides the first comprehensive history of this pivotal concept, and provokes new thoughts on the essence of music and how this essence explains music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in music theory and history.
The Embattled Self
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