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Biondo Flavio's "Italia illustrata"
In 1447 Alfonso of Aragon, King of Naples, engaged the humanist antiquarian Biondo Flavio to compose in Latin a catalogue of famous men of Italy. This commission became Italia Illustrata, the first historical topography. In it, Biondo superimposed upon Italy’s classical heritage and her troubled medieval history a panorama of Italy in his own time. Although Italia Illustrata and three other major Latin treatises made Biondo’s reputation as the father of modern historiography and archaeology, these works have been accessible only in early modern printed editions to specialists with entrée to rare book rooms. Catherine J. Castner has now made this important treatise available in modern te...
Recreating Ancient History
Modern artists, historians and writers have always looked back on the Classical past for inspiration and as a source of factual material. This group of essays looks at how these people have represented or recreated history from ancient sources such as Plutarch, Polybius, Lipsius, and many others. The contributors study aspects of classical historiography as well as examining art and literature from the 15th to 18th century in terms of the aims and motives of their creators, whether they used ancient sources in the original language or in translation, their use of later commentaries, their manipulation and adaptation of sources, the audience they were serving and how sharing in the glory of the past enabled them to legitimise the present. Sixteen papers in English and one in German.
Italian Renaissance Humanism in the Mirror
This important study takes a new approach to understanding Italian Renaissance humanism, one of the most important cultural movements in Western history. Through a series of close textual studies, Patrick Baker explores the meaning that Italian Renaissance humanism had for an essential but neglected group: the humanists themselves.
A New Sense of the Past: The Scholarship of Biondo Flavio (1392–1463)
Reappraisal of the pioneering humanist scholar Biondo Flavio During his lifetime the historian and antiquarian Biondo Flavio (1392– 1463) struggled to obtain recognition as a major contributor to the humanistic movement of the fifteenth century. Throughout the Renaissance, fellow Italian scholars far too often condemned rather than endorsed his scholarly works. His troublesome career and mixed reputation among his peers stand in stark contrast with the highly innovative character of his learning, which proved to be ground-breaking for the further development of various strands of historical and antiquarian research in the Early Modern Age. The authors of this volume aim to contribute to a ...
Neo-Latin and the Vernaculars
The early modern world was profoundly bilingual: alongside the emerging vernaculars, Latin continued to be pervasively used well into the 18th century. Authors were often active in and conversant with both vernacular and Latin discourses. The language they chose for their writings depended on various factors, be they social, cultural, or merely aesthetic, and had an impact on how and by whom these texts were received. Due to the increasing interest in Neo-Latin studies, early modern bilingualism has recently been attracting attention. This volumes provides a series of case studies focusing on key aspects of early modern bilingualism, such as language choice, translations/rewritings, and the interferences between vernacular and Neo-Latin discourses. Contributors are Giacomo Comiati, Ronny Kaiser, Teodoro Katinis, Francesco Lucioli, Giuseppe Marcellino, Marianne Pade, Maxim Rigaux, Florian Schaffenrath, Claudia Schindler, Federica Signoriello, Thomas Velle, Alexander Winkler.
Acta Conventus Neo-Latini Upsaliensis
Since 1971, the International Congress for Neo-Latin Studies has been organised every three years in various cities in Europe and North America. In August 2009, Uppsala in Sweden was the venue of the fourteenth Neo-Latin conference, held by the International Association for Neo-Latin Studies. The proceedings of the Uppsala conference have been collected in this volume under the motto Litteras et artes nobis traditas excolere Reception and Innovation. Ninety-nine individual and five plenary papers spanning the period from the Renaissance to the present offer a variety of themes covering a range of genres such as history, literature, philology, art history, and religion. The contributions will be of relevance not only for scholarly readers, but also for an interested non-professional audience.
Ambrogio Leone's De Nola, Venice 1514
This volume offers the first comprehensive study of the De Nola (Venice 1514), a hitherto underappreciated Latin text written by the Nolan humanist and physician Ambrogio Leone. Furnished with four pioneering engravings made with the help of the Venetian artist Girolamo Mocetto, the De Nola is an impressively rich and multifaceted text, which contains an antiquarian (and celebratory) study of the city of Nola in the Kingdom of Naples. By describing antiquities, inscriptions, and buildings, as well as social and religious phenomena, the De Nola offers a precious window into a southern Italian Renaissance city, and constitutes a refined example of sixteenth-century antiquarianism. The work is analysed in a multidisciplinary approach, encompassing art and architectural history, antiquarianism, literature, social history, and anthropology.
Acta Conventus Neo-Latini Upsaliensis (set, two volumes)
Since 1971, the International Congress for Neo-Latin Studies has been organised every three years in various cities in Europe and North America. In August 2009, Uppsala in Sweden was the venue of the fourteenth Neo-Latin conference, held by the International Association for Neo-Latin Studies. The proceedings of the Uppsala conference have been collected in this volume under the motto “Litteras et artes nobis traditas excolere – Reception and Innovation”. Ninety-nine individual and five plenary papers spanning the period from the Renaissance to the present offer a variety of themes covering a range of genres such as history, literature, philology, art history, and religion. The contributions will be of relevance not only for scholarly readers, but also for an interested non-professional audience.
