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Listen to the Blues is an engrossing account into the making of America's fundamental music and the men and women who created it on riverboats, in whorehouses, at country dances, and in medicine shows. With guitars and the melancholic power of their voices these musicians developed a unique form of music that contributed to jazz and served as the roots of rock. Bruce Cook writes vividly about the music, explaining its origins and evolution, the conflicts among blues scholars, the hardship and danger that marked the lives of professional bluesmen. Based on original interviews, Listen to the Blues is filled with profiles of people like Leadbelly, Mance Lipscomb, Skip James, Bessie Smith, Big Bill Broonzy, Son House, Muddy Waters, and B.B. King. With new photos and a new discography, this book is an astute, outstanding introduction to the impact and spirit of the blues.
A vivid investigation of how blues music teaches listeners about sin, suffering, marginalization, lamentation, and worship.
Listen to the Blues! Exploring A Musical Genre provides an overview of this distinctly American musical genre for fans of the blues and curious readers alike, with a focus on 50 must-hear artists, albums, and subgenres. Unlike other books on the blues, which tend to focus on musician biographies, Listen to the Blues! devotes time to the compositions, recordings, and musical legacies of blues musicians from the early 20th century to the present. Although the author references musical structure, harmony, form, and other musical concepts, the volume avoids technical language; therefore, it is a volume that should be of interest to the casual blues fan, to students of blues music and its history...
Selected as an Outstanding Academic Title by Choice Selected as an Outstanding Reference Source by the Reference and User Services Association of the American Library Association There are many anthologies of southern literature, but this is the first companion. Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, ...
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This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and...
There is an ongoing debate as to whether African American Studies is a discipline, or multidisciplinary or interdisciplinary field. Some scholars assert that African American Studies use a well-defined common approach in examining history, politics, and the family in the same way as scholars in the disciplines of economics, sociology, and political science. Other scholars consider African American Studies multidisciplinary, a field somewhat comparable to the field of education in which scholars employ a variety of disciplinary lenses-be they anthropological, psychological, historical, etc., --to study the African world experience. In this model the boundaries between traditional disciplines are accepted, and researches in African American Studies simply conduct discipline based an analysis of particular topics. Finally, another group of scholars insists that African American Studies is interdisciplinary, an enterprise that generates distinctive analyses by combining perspectives from d
Blues: The Basics offers a concise introduction to a century of the blues. Organized chronologically, it focuses on the major eras in the growth and development of this popular musical style. Material includes: a definition of the blues and the major genres within it key artists such as Ma Rainey, Bessie Smith, Robert Johnson and Blind Lemon Jefferson key recordings Complete with timelines and suggestions for further investigation, this fascinating overview is ideal for students and interested listeners.
(Guitar Recorded Versions). 28 note-for-note transcriptions of the best of the blues, including: Boomerang * Catfish Blues * Cross Road Blues (Crossroads) * Easy Baby * Going Back Home * Have You Ever Loved a Woman * I Ain't Got You * I Can't Quit You Baby * I'm Your Hoochie Coochie Man * Love in Vain Blues * Pride and Joy * The Sky Is Crying * The Things That I Used to Do * You Upset Me Baby * and more.