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Doris Lessing
Doris Lessing is a writer for all times; she is a historiographer and a transnational translational mediator between the East and the West. This volume provides a collection of articles analysing Doris Lessing’s literature. The first part, entitled “Lessing’s World of Words”, offers a broad vision of the writer’s novels; it introduces her many genres and sheds light on her literary affiliations. This is followed by “Lessing’s Other Spaces”, which dives into the novelist’s imaginary and spiritual universes. The final part, “Intersections: Lessing and Other Writers” establishes an analogy between Lessing’s texts and Ahlem Mustaghanemi’s Memory in the Flesh, Atiq Rahimi’s Earth and Ashes and Salman Rushdie’s Shame.
Representing Vulnerabilities in Contemporary Literature
Representing Vulnerabilities in Contemporary Literature includes a collection of essays exploring the ways in which recent literary representations of vulnerability may problematize its visibilization from an ethical and aesthetic perspective. Recent technological and scientific developments have accentuated human vulnerability in many and different ways at a cross-national, and even cross-species level. Disability, technological, and ecological vulnerabilities are new foci of interest that add up to gender, precarity and trauma, among others, as forms of vulnerability in this volume. The literary visualization of these vulnerabilities might help raise social awareness of one’s own vulnerabilities as well as those of others so as to bring about global solidarity based on affinity and affect. However, the literary representation of forms of vulnerability might also deepen stigmatization phenomena and trivialize the spectacularization of vulnerability by blunting readers’ affective response towards those products that strive to hold their attention and interest in an information-saturated, global entertainment market.
Adapting Alterity in Anglophone Scenarios
Diversity and inclusion have not only gained key importance in our times, but they have also been at the core of a wide variety of academic subjects and heterogeneous research methodologies, with particular reference to linguistics, literature, and culture. This edited book seeks to explore how translation and adaptation deal with diversity and inclusion. The topics included in the volume are the following: Discrimination based on religious prejudice and gender, civil rights in synchronic and diachronic perspectives and different geo-political contexts; diversity/inclusion in education and (social) media; diversity/inclusion in art(s), music, movies and TV series; diversity/inclusion in lang...
Women's Utopian and Dystopian Fiction
Women’s Utopian and Dystopian Fiction explores the genres of utopian and dystopian recent fiction. It is about how this literature of both imagined perfection and disaster creates new worlds and critiques gender roles, traditions, and values. Essays range in subject matter from Charlotte Perkins Gilman, P. D. James, Joanna Russ, and Marge Piercy, to Ursula Le Guin, Fay Weldon, and Toni Morrison. Two of the three sections focus on Doris Lessing and Margaret Atwood. Examining especially the twentieth century, including second-wave feminism, writers from Tunisia, Turkey, Italy, Korea, the US, and England give both an historical and a global perspective. Utopian and dystopian elements are explored in the Nobel-Prize-winning Doris Lessing’s Memoirs of a Survivor, the little-known Mara and Dann, and The Cleft; and new perspectives are offered on Atwood’s The Handmaid’s Tale.
Writing Through Writer's Block
"This monograph is the first major study of a pervasive but overlooked figure in postwar American fiction: the blocked writer. It argues that the impacts of this character are as diverse as its many variants in postwar, postmodernist, and contemporary literature. With chapters analyzing writer's block in works by authors such as Philip Roth, Lucy Ives, Ben Lerner, and Salvador Plascencia, it reveals how authors have used the figure of the blocked writer to critique modern forces that might constrain a writer's creativity including rigid dogma in MFA programs and ethnic stereotyping in the publishing industry. In doing so, the book offers fresh perspectives on autofiction, metafiction, and no...
Language, Culture and Business
Language, Culture and Business provides insights into conceptual, practical and pedagogical issues related to the mentioned fields that can be further applied in education and real-life situations. The book pays attention to a wide array of topics, such as the cultural mythology of business, cultural heroes, management styles, social media marketing, digital storytelling and business and intercultural communication in the classroom from an international and interdisciplinary perspective. Exploring the intersection of language, culture and business is essential for both higher education institutions and organisations. Due to this, the book will be of interest to professionals of various profiles, from educators, academics, researchers and theoreticians to managers, advertisers, and other businesspersons.
Terrorism in Literature
This volume celebrates literature as a strong subversive tool, as an alternative for change, through an exploration of terrorism in various literary works. It brings together scholars from all over the world, including Algeria, Argentina, Australia, Cameroon, Denmark, India, Italy, Tunisia, Turkey, and the USA, to offer their insights. As readers themselves, they share an eagerness to understand the psychopathological personalities circulating among us. They urge the reader to dig deep into literature, to think, to cogitate and to learn. One of the most important literary figures dealing with terrorism in his novels is the internationally acclaimed Indian writer Tabish Khair, who generously wrote the foreword to this volume. He sheds light on the possibilities offered by literature as a means of dissent and a powerful tool for truth telling.
On Trauma and Traumatic Memory
On Trauma and Traumatic Memory focuses on the role of writing to preserve memories, to excavate traumas and to heal the ever-present scars of the past. The first part of the book focuses on trauma recalled through films, fiction and documentaries. The second chapter is devoted to analysing trauma in fiction, while the third deals with trauma in poetry. The topic of trauma is of interest to scholars across the globe, both students and professors, and is taught in almost all universities. This volume gathers research papers from different universities around the world, including India, Italy, Tunisia and the USA.
Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022)
This is an open access book.The 4th International Conference on Literature, Art and Human Development (ICLAHD 2022) was successfully held on October 28th-30th, 2022 in Xi’an, China (virtual conference). ICLAHD 2022 brought together academics and experts in the field of Literature, Art and Human Development research to a common forum, promoting research and developmental activities in related fields as well as scientific information interchange between researchers, developers, and engineers working all around the world.We were honored to have Assoc. Prof. Chew Fong Peng from University of Malaya, Malaysia to serve as our Conference Chair. The conference covered keynote speeches, oral presentations, and online Q&A discussion, attracting over 300 individuals. Firstly, keynote speakers were each allocated 30-45 minutes to hold their speeches. Then in the oral presentations, the excellent papers selected were presented by their authors in sequence.
The Poetics and Hermeneutics of Pain and Pleasure
Pain and pleasure are at the heart of human experiences and literary journeys. This book takes the title of Roland Barthes’s text on the pleasure of writing as a starting point for the discussion of other different wor(l)ds and cartographies of pain and pleasure. Set against the Aristotelian delineation of pleasure as the major principle that should govern a literary endeavor, this volume investigates alternative reflections on the themes of pleasure and pain. Thinking about the ways through which expressions of pain and pleasure may affect the writer and the reader as experiences of other pursuits of the human imagination can place or displace, soothe or enrage, and inspire or discourage the individual search for meaning. By engaging with different theories and expressions, it is possible to understand what pain and pleasure have done in the history of humanity, rather than merely looking at them as representations of others’ distant experiences. This volume entails new reflections on the expressions of pain and pleasure to create new meanings for these words in a world vying for expressions of power with and without bliss.
