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Jewish Women in the Early Italian Women’s Movement, 1861–1945
This book is the first epoch-spanning study on Jewish participation in the Italian women’s movement, focussing in a transnational perspective on the experience of Italian-Jewish protagonists in Liberal Italy, during the First World War and the Fascist dictatorship until 1945. Drawing on ego-documents, contemporary journals and Jewish community archives, as well as records by the police and public authorities, it examines the tensions within the emancipation process between participation and exclusion. The book argues that the racial laws from 1938 did not represent the sudden end of an idyllic integration, but rather the climax of a long-term development. Social marginalization, the persecution of Jewish rights, and the assault on Jewish lives during fascism are analysed distinctly from the perspective of Jewish women. In spite of their significant influence on the transnational orientation of the Italian women’s movement, their emancipation as women and Jews remained incomplete.
Falling in Love with Natassia
Mary and Ross were in Rome on a junior-year-abroad program when they had their baby, Natassia, who was conceived on a dare: “Do it with no birth control,” another couple had challenged. “We’ll do it if you do it . . .” Mary and Ross are unmarried, ambitious, and way too young, and though smitten with their daughter, they eventually—and with regret—abdicate responsibility to Ross’s parents, who raise Natassia in the intellectually stimulating (and seemingly loving) atmosphere of their Manhattan apartment. Fifteen years later, 1989, Natassia is an Honors student and a violin player. Despite the absence of her mother, a world-class modern dancer who survives by living in the mom...
The Art of Africa
By focusing on forty works from the Metropolitan's collection, this educator's resource kit presents the rich and diverse artistic heritage of sub-Saharan Africa. Included are a brief introduction and history of the continent, an explanation of the role of visual expression in Africa, descriptions of the form and function of the works, lesson plans, class activities, map, bibliography, and glossary.
Reviewing Mario Pratesi
A prolific member of the Tuscan verismo school of literary realism, Mario Pratesi (1842-1921) was much respected during his career but sadly neglected after his death. Using Pratesi's personal archive, now preserved at Victoria College in the University of Toronto, Reviewing Mario Pratesi takes Pratesi's life and papers as the basis of a unique study of the literary culture of post-Unification Italy. Working with the original manuscripts, alongside previously unknown biographical materials and a vast collection of contemporary reviews, Anne Urbancic uses the methods of critique génétique not only to reconstruct the evolution of Pratesi's works through their successive drafts and published versions, but also to document the impact of book reviews and the press on the development of Pratesi's literary style. An insightful history of book reviewing as a genre and a detailed study of its role in Italian literary culture, Reviewing Mario Pratesi opens up a new area for investigation within Italian literary studies.
Theatre Arts
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National Union Catalog
Includes entries for maps and atlases.
Water Astonishing
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