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The Kaiju Connection
What makes a kaiju a kaiju? What makes an ape a large ape, and why do we sympathize with some, such as King Kong, and not with others, such as Konga? And what makes a giant person become a "monster"? This book provides a new perspective on kaiju and reveals that our boundaries for the genre are perhaps not so solid. This work focuses primarily on newer kaiju works, ranging from Colossal to Shin Godzilla to Godzilla vs. Kong, but also touches on classics such as King Kong, Mighty Joe Young, Godzilla Raids Again, and lesser-known works such as What to Do With the Dead Kaiju? and Agon. Like our ancestors we have collectively adopted giant monsters into our culture, especially our pop culture. Within the domains where giant monsters walk, we experience the rigidity of our moral structures, and the fleeting borders of our definitions of humanity. Within the kaiju film genre rest our own assumptions about what makes a monster a monster, and, more importantly, what makes a human a human.
Transnational Zombie Cinema, 2010 to 2020
Transnational Zombie Cinema, 2010 to 2020: Readings in a Mutating Tradition examines selected films produced outside the United States in the second decade of the millennial zombie renaissance, following the global effects of the Great Recession. These readings analyze how the films adapt the zombie myth to localized anxieties pertaining to neoliberal capitalism; globalization; gender and sexuality; national identity, history, and trauma; and self-definition within and without culture and social institutions. In tracing these variations, John R. Ziegler investigates not only better-known films such as South Korea’s Train to Busan (2016) and Cuba’s Juan of the Dead (2011) but also lesser-known examples such as Malaysia’s KL24: Zombies (2017), Italy’s The End? (2017), and India’s Rise of the Zombie (2010). These films, Ziegler argues, demonstrate the continued significance of the zombie as a flexible, powerful tool for thinking about contemporary concerns across the globe and suggest that the zombie myth still has plenty of undead life in it as it continues to mutate and circulate in transnational cinema.
Confluences
At the confluence of the Missouri and Mississippi rivers, the South and Midwest, the Ozarks and the Ouachita mountains, the plains and the prairies, America’s religions flow together and are remade. Bringing together experts in religious history, sociology, and medicine, Confluences: Religion, Health, and Diversity in Missouri shows that centuries before the first European colonists arrived at the confluence of the great rivers in what is now Missouri, the region’s indigenous inhabitants lived at the center of a transnational nexus for religious diversity and that, following the arrival of European settlers, religions have continuously shaped health and healing and informed Missouri’s ...
Horror Unmasked
From the silent-film era to the blockbusters of today, Horror Unmasked is a fun-filled, highly illustrated dive into the past influences and present popularity of the horror film genre. The horror film’s pop-culture importance is undeniable, from its early influences to today’s most significant and exciting developments in the genre. Since 1990, the production of horror films has risen exponentially worldwide, resulting in impressive ticket sales in the modern day, not to mention how the genre has expanded into books, fashion, music, and other media throughout the world. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need t...
Lost in the Dark
Two horror films were nominated for the Academy Award for Best Picture in 2018, and one of them—The Shape of Water—won. Since 1990, the production of horror films has risen exponentially worldwide, and in 2013, horror films earned an estimated $400 million in ticket sales. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. Lost in the Dark: A World History of Horror Film is a straightforward history written for the general reader and student that can serve as a co...
The Maternal Imprint
Leading gender and science scholar Sarah S. Richardson charts the untold history of the idea that a woman's health and behavior during pregnancy can have long-term effects on her descendants' health and welfare. The idea that a woman may leave a biological trace on her gestating offspring has long been a commonplace folk intuition and a matter of scientific intrigue, but the form of that idea has changed dramatically over time. Beginning with the advent of modern genetics at the turn of the twentieth century, biomedical scientists dismissed any notion that a mother—except in cases of extreme deprivation or injury—could alter her offspring’s traits. Consensus asserted that a child’s f...
“The” Athenaeum
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