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Dynamic Emotional Communication
This eBook aims to deepen our understanding of emotional communication by introducing “dynamic” perspectives. Facial and bodily expressions of emotion functions as indispensable communicative signals for human beings. People decode the emotional information conveyed by facial/bodily expressions and use this to coordinate cooperative or competitive social relationships. Experimental psychological research has long investigated these important means of emotional communication. However, this was typically done by using static stimuli of facial/bodily expressions to assess the detection and interpretation of emotions. This paradigm was also adopted in neuropsychological, neurophysiological, ...
Position Papers – August/September 2023
Editorial Gavan Jennings In Passing: Christopher Nolan’s Dark Knight trilogy and the meaning of heroism (Part Two) Michael Kirke The Privatisation of Tyranny James Bradshaw Seeking the end of the liberal ruling class James Bradshaw A Contribution to Conversation Margaret Hickey Flight from Beauty, Flight from Judgment Richard Clements A personal look at the faith of the 20th Century Prime Ministers of the United Kingdom Gerard Scullion Irish history in colour Pat Hanratty Films: Mission: Impossible – Dead Reckoning Part One Pablo de Santiago
Undercover
When undercover detective Cormac Kelly infiltrates a ruthless gang bent on kidnapping and extortion, he is forced to break cover and shoot his way out of a hostage situation gone bad. Tearing through the dangerous streets of Belfast with a twelve-year-old boy and his seriously injured father in tow, Kelly desperately tries to evade the gang and reconnect the family with the boy's mother, football agent Lydia Gallagher. But she is in London, unaware of their freedom and being forced by the gang to betray her top client. As Kelly breaks every rule in the book and crosses the line from legit police officer to rogue cop on the run, the role of dapper but deadly ex-spook Stephen Black means the d...
An Introduction to Cyberpsychology
An Introduction to Cyberpsychology is the first book to provide a student-oriented introduction to this rapidly growing and increasingly studied topic. It is designed to encourage students to critically evaluate the psychology of online interactions, and to develop appropriate research methodologies to complete their own work in this field. The book is comprised of four main sections: An overview of cyberpsychology and online research methodologies Social psychology in an online context The practical applications of cyberpsychology The psychological aspects of other technologies. Each chapter includes: Explanations of key terms and a glossary to facilitate understanding Content summaries to ...
An Introduction to Cyberpsychology
An Introduction to Cyberpsychology provides a comprehensive introduction to this rapidly growing discipline. Fully updated in its second edition, the book encourages students to critically evaluate the psychology of online interactions and to develop appropriate research methodologies to complete their own work in this field. The book examines cyberpsychology and online research methodologies, social psychology in an online context, practical applications of cyberpsychology, and the psychological aspects of other technologies. This new edition has been carefully updated to include additional coverage of: Expanded content relating to major developments in the field and new content on gaming a...
Film, Art, and the Limits of Science
There is currently a vigorous debate in film studies and related disciplines about the extent to which scientific paradigms like evolutionary psychology and neuroscience can explain the cinema and other artforms. This debate tends to devolve into extreme positions, with many film scholars and other humanists insisting that science has little or no role to play in the study of the arts, while a minority contends that it is always needed to fully account for cultural phenomena like film. Malcolm Turvey advocates for a more moderate position. He argues that, while the sciences can explain much about film and the other arts, there is much about these phenomena that only humanistic methods can account for. He thereby mounts a trenchant defence of the purpose and value of humanistic explanation, one that nevertheless acknowledges and welcomes the legitimate contribution of the sciences to the study of the arts.
Sir Brooke Boothby
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Rufino Tamayo
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