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"This handsome volume tells the story of the Bristish Library and considers its treasures not just individually but as landmarks in the history of Britain's national library, from its origins in some of the great royal, noble and monastic collections of the Middle Ages to present day"--Book jacket.
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Just as twenty-first-century technologies like blogs and wikis have transformed the once private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. In Reading in the Wilderness, Jessica Brantley uses tools from both literary criticism and art history to illuminate Additional MS 37049, an illustrated Carthusian miscellany housed in the British Library. This revealing artifact, Brantley argues, closes the gap between group spectatorship and private study in late medieval England. Drawing on the work of W. J. T. Mitchell, Michael Camille, and others working at the image-text crossroads, Reading in the Wilderness addresses the manuscript’s texts and illustrations to examine connections between reading and performance within the solitary monk’s cell and also outside. Brantley reimagines the medieval codex as a site where the meanings of images and words are performed, both publicly and privately, in the act of reading.
What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyric...
Originally published in 1993, Medieval English Benedictine Liturgy is a detailed study of the liturgical use of medieval monasteries in England, spanning 500 years. The study examines the major votive observances that came to fruition in the twelfth century and later and argues that these important practices affected earlier monastic observances. The book’s emphasis on Anglo-Saxon liturgy provides a bridge between the practices of the English Benedictines before and after the Conquest. The book also traces the chronological progress of three individual observances and extends where possible into the sixteenth century. The book argues that, at a broader level, while liturgy has been recognized as an indispensable part of the study of the context and use of medieval chant and polyphony.
Publisher Description
Reading Old English Biblical Poetry considers the Junius 11 manuscript, the only surviving illustrated book of Old English poetry, in terms of its earliest readers and their multiple strategies of reading and making meaning. Junius 11 begins with the creation story and ends with the final vanquishing of Satan by Jesus. The manuscript is both a continuous whole and a collection with discontinuities and functionally independent pieces. The chapters of Reading Old English Biblical Poetry propose multiple models for reader engagement with the texts in this manuscript, including selective and sequential reading, reading in juxtaposition, and reading in contexts within and outside of the pages of ...