You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Figures of Gertrude Lawrence, Patti Lupone, Diahann Carroll, Bernadette Peters, Elaine Stritch, and 11 other great ladies, each with costumes from two of her most famous shows.
The remarkable career of composer-orchestrator Robert Russell Bennett [1894-1981] encompassed a wide variety of both "legitimate" and popular music-making in Hollywood, on Broadway, and for television. Bennett is principally responsible for what is known worldwide as the "Broadway sound" and for greatly elevating the status of the theater orchestrator. He worked alongside Jerome Kern, Cole Porter, George Gershwin, Irving Berlin, Richard Rodgers, and Frederick Loewe on much of the Broadway canon, eventually providing orchestrations for all or part of more than 300 musicals between 1920 and 1975. This work is the first publication of Bennett's autobiography, which was written in the late 1970s. It also includes eight of his most important essays on the art of orchestration. George J. Ferencz is Professor of Music at the University of Wisconsin at Whitewater.
In Place for Us, D. A. Miller probes what all the jokes laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience.
Offers an alphabetical survey of the most popular Broadway musicals in history, with commentaries, synopses, behind-the-scenes information, and lists of songs and cast members for each musical.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Gathers humorous stories about Broadway actors, actresses, comedians, playwrights, producers, and directors