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Purity Is a Myth
  • Language: en
  • Pages: 338

Purity Is a Myth

  • Categories: Art

Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Latin America. Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America. ...

Conservation of Easel Paintings
  • Language: en
  • Pages: 949

Conservation of Easel Paintings

  • Categories: Art
  • Type: Book
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  • Published: 2020-11-29
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  • Publisher: Routledge

Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shi...

Science and Art
  • Language: en
  • Pages: 644

Science and Art

Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. For example, high resolution multispectral examination of paintings allows art historians to view underdrawings barely visible before, while the use of non-invasive and micro-sampling analytical techniques allow scientists to identify pigments and binders that help art conservators in their work. It also allows curators to understand more about how the artwork was originally painted. Through a series of...

15th Triennial Conference, New Delhi, 22-26 September 2008
  • Language: en
  • Pages: 612
Science and Art: The Contemporary Painted Surface
  • Language: en
  • Pages: 545
Conservation of Books
  • Language: en
  • Pages: 892

Conservation of Books

  • Categories: Art

Conservation of Books is the highly anticipated reference work on global book structures and their conservation, offering the first modern, comprehensive overview on this subject. The volume takes an international approach to its subject. Written by over 70 specialists in conservation and conservation science based in 19 countries, its 26 chapters cover traditional book structures from around the world, the materials from which they are made and how they degrade, and how to preserve and conserve them. It also examines the theoretical underpinnings of conservation: what and how to treat, and the ethical, cultural, and economic implications of treatment. Technical drawings and photographs illu...

Conserving Canvas
  • Language: en
  • Pages: 516

Conserving Canvas

  • Categories: Art

The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witn...

The Best American Science And Nature Writing 2017
  • Language: en
  • Pages: 351

The Best American Science And Nature Writing 2017

Twenty-four "outstanding" pieces of American science & nature writing, edited by a renowned scientist and bestselling author ( Publishers Weekly). "Science is both essential and frivolous, jubilant and despairing, lovely and brutal, perfect and broken—all at the same time—just like the scientists who fashion it," writes Hope Jahren in her introduction to The Best American Science and Nature Writing 2017. The pieces honored in this collection celebrate astonishing wonders—from our public lands to a new way of tasting food we eat—and investigate grave perils, like the rapid progression of climate change, air pollution, and more. They show us the beauty and innovation of our planet, and how urgently we must fight to protect it from all those who take it for granted. The Best American Science and Nature Writing 2017 includes: Elizabeth Kolbert David Epstein Maria Konnikova Jon Mooallem Tom Kizzia Nicola Twilley And others

Blake
  • Language: en
  • Pages: 206

Blake

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

An illustrated quarterly.

Franz Kline
  • Language: en
  • Pages: 162

Franz Kline

  • Categories: Art

This book offers the most detailed investigation thus far of the materials and methods of this key American Abstract Expressionist artist. Although Franz Kline was one of the seminal figures of the American Abstract Expressionist movement, he is less well known than contemporaries such as Jackson Pollock and Willem de Kooning. This is partly because Kline, unlike most artists in his circle, did not like to write or talk about his own art. In fact, when asked in a panel to discuss abstract art, Kline said, “I thought that was the reason for trying to do it, because you couldn’t [talk about it].” Still, his impact was such that the critic and art historian April Kingsley wrote, “Abstra...