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Taking Back Desire: A Psychoanalytic Approach to Queerness and Neoliberalism on Screen
Taking Back Desire studies film, television and video art texts through a Lacanian prism to restore a sense of queer as troubling identity and resistance to neoliberal forms of inclusion. James Lawrence Slattery illuminates how the framing of desire, identity, enjoyment, resistance and knowledge contribute to the investment in neoliberal formations of being and success, despite the corrosive effects neoliberalism has had for much of society. The book does not read queerness on screen as a discernible group of characters or narrative formulas, but as a point that meaning fails in the visual and temporal field. Examining the interrelation of the real, the imaginary, and the symbolic in contemporary politics and contemporary media, Slattery investigates how a diverse selection of moving image texts forge queerness as a relationship to the lack, while crucially resisting the creation of a new or definitive ‘canon’. Taking Back Desire will be essential reading for academics and scholars of Freudian and Lacanian psychoanalysis, queer theory, late capitalism, film, television and media studies, sexuality studies, critical race theory, cultural studies and feminist theory.
Elemental Difference and the Climate of the Body
In nineteenth-century Europe, differences among human bodies were understood to be matters of scientific classification. At the height of scientific acceptance, it was unthinkable that race or sex or diagnosis or indigence were invention. Today, however, differences among human bodies are understood as matters of social construction. The philosophy of social construction understands differences among humans to be matters of human imposition. Social constructionism's way of understanding the origin of differences among humans is so well-established as to have no currently viable alternatives, even among new materialists, social constructionism's most ardent critics. This book argues that new ...
Passing/Out
Passing/Out adopts an inter-generational, inter-disciplinary, and inter-subjective approach to the closeting and revelation of sexual identity, exploring questions of embodiment, ethics and identity in relation to 'passing' or being 'out'. Presenting the latest theoretical and empirical work from scholars working across a range of disciplines including sociology, cultural and media studies, philosophy, gender studies, literary studies and history, this book discusses the nature and history of sexual identity and the manner in which identity functions within social relationships. In recognition of the transformative impact of queer theory upon the study of sexuality and identity, Passing/Out constructs a dialogue between the work of scholars whose intellectual careers began prior to the advent of queer theory and those whose work has been more immediately and directly shaped by this approach, with a view to breaking new ground in the field of identity. Shedding light on the meaning of 'passing' and 'outing' in relation to identity, this volume will be of interest to social scientists and scholars of the humanities working on questions of sexuality, identity, embodiment and ethics.
The Five Blessings of Ifá
A fierce and inspirational guide to Black resistance, resilience, and healing, using the principles of Afro-Indigenous spiritual practices Understanding where you came from is crucial to understand where you are going. The Five Blessings of Ifá explores how Black communities across the diaspora draw strength from ancestral wisdom, family, community care, and mutual aid, using the principles of Ifá—a West African spiritual tradition—as a guiding framework. Gabrielle Felder provides a blueprint for living a more fulfilled and abundant life through the blessings of Aiku (longevity), Aje (wealth), Aya and Oko (relationships), Omo (children), and Isegun (victory over negative forces), provi...
The Problem of the Negro as a Problem for Gender
A complex articulation of the ways blackness and nonnormative gender intersect—and a deeper understanding of how subjectivities are formed A deep meditation on and expansion of the figure of the Negro and insurrectionary effects of the “X” as theorized by Nahum Chandler, The Problem of the Negro as a Problem for Gender thinks through the problematizing effects of blackness as, too, a problematizing of gender. Through the paraontological, the between, and the figure of the “X” (with its explicit contemporary link to nonbinary and trans genders) Marquis Bey presents a meditation on black feminism and gender nonnormativity. Chandler’s text serves as both an argumentative tool for re...
Archive of Tongues
In Archive of Tongues Moon Charania explores feminine dispossession and the brown diaspora through a reflection on the life of her mother. Drawing on her mother’s memories and stories of migration, violence, sexuality, queerness, domesticity, and the intimate economies of everyday life, Charania conceptualizes her mother’s tongue as an object of theory and an archive of brown intimate life. By presenting a mode of storytelling that is sensual and melancholic, piercing and sharp, Charania recovers otherwise silenced modes of brown mothers’ survival, disobedience, and meaning making that are often only lived out in invisible, intimate spaces, and too often disappear into them. In narrating her mother’s tongue as both metaphor for and material reservoir of other ways of knowing, Charania gestures to the afflictions, limits, and failures of feminist, queer, and postcolonial scholarly interrogations and the consequences of closing the archive of the brown mother.
Broadening the Contours in the Study of Black Politics
Broadening the Contours in the Study of Black Politics, volume 17 of the National Political Science Review (NPSR), is divided thematically into two books, available separately or as a set. The first concentrates on the institutional aspects of Black politics. The second book addresses various dimensions of social capital that constitute the fundamental building blocks of Black politics. Each contains peer-reviewed articles, a symposium section, and book reviews, as well as other featured sections.Together, these books build on the previous NPSR volume, Black Women in Politics. The symposium in Volume 17:1 examines the struggle of Black women, both in the political science discipline and in g...
Sources and Methods in the History of Sexuality
Sources and Methods in the History of Sexuality outlines some of the challenges of retracing sexual acts, identities, and desires in the past, and shows how historians have responded to these methodological challenges with ingenuity and creativity. The volume acknowledges that the history of sexuality poses particularly interesting challenges in relation to sources due the peculiar nature of sexuality. On one hand, sexuality is frequently hidden and private, its practices often unknown, denied, and evaded, its desires fleeting or obsessive, its reality confused or illuminated by fantasy; yet on the other, sexuality consistently breaks into the public sphere through moral panics, waves of per...
Black on Both Sides
In 'Black on Both Sides', C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence. Drawing on a deep and varied archive of materials, Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable.
Nobody Is Supposed to Know
Since the early 2000s, the phenomenon of the “down low”—black men who have sex with men as well as women and do not identify as gay, queer, or bisexual—has exploded in news media and popular culture, from the Oprah Winfrey Show to R & B singer R. Kelly’s hip hopera Trapped in the Closet. Most down-low stories are morality tales in which black men are either predators who risk infecting their unsuspecting female partners with HIV or victims of a pathological black culture that repudiates openly gay identities. In both cases, down-low narratives depict black men as sexually dangerous, duplicitous, promiscuous, and contaminated. In Nobody Is Supposed to Know, C. Riley Snorton traces t...
