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Two languages can resemble each other in the categories, constructions, and types of meaning they use; and in the forms they employ to express these. Such resemblances may be the consequence of universal characteristics of language, of chance or coincidence, of the borrowing by one language of another's words, or of the diffusion of grammatical, phonetic, and phonological characteristics that takes place when languages come into contact. Languages sometimes show likeness because they have borrowed not from each other but from a third language. Languages that come from the same ancestor may have similar grammatical categories and meanings expressed by similar forms: such languages are said to...
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Historical linguistic theory and practice consist of a large number of chronological "layers" that have been accepted in the course of time and have acquired a permanence of their own. These range from neogrammarian conceptualizations of sound change, analogy, and borrowing, to prosodic, lexical, morphological, and syntactic change, and to present-day views on rule change and the effects of language contact. To get a full grasp of the principles of historical linguistics it is therefore necessary to understand the nature of each of these "layers". This book is a major revision and reorganization of the earlier editions and adds entirely new chapters on morphological change and lexical change, as well as a detailed discussion of linguistic palaeontology and ideological responses to the findings of historical linguistics to this landmark publication.
The Program in Indo-European Studies at the University of California, Los Angeles, sponsors an Annual UCLA Indo-European Conference. The Conference, held on campus every fall, welcomes participation by linguists, philologists, and others engaged in all aspects of Indo-European studies.
In How to Kill a Dragon Calvert Watkins follows the continuum of poetic formulae in Indo-European languages, from Old Hittite to medieval Irish. He uses the comparative method to reconstruct traditional poetic formulae of considerable complexity that stretch as far back as the original common language. Thus, Watkins reveals the antiquity and tenacity of the Indo-European poetic tradition. Watkins begins this study with an introduction to the field of comparative Indo-European poetics; he explores the Saussurian notions of synchrony and diachrony, and locates the various Indo-European traditions and ideologies of the spoken word. Further, his overview presents case studies on the forms of ver...
As the Byzantinist Ihor &Šev&_enko once observed, &"Philology is constituting and interpreting the texts that have come down to us. It is a narrow thing, but without it nothing else is possible.&" This definition accords with Saussure's succinct description of the mission of philology: &"especially to correct, interpret, and comment upon the texts.&" Philology is not just a grand etymological or lexicographical enterprise. It also involves restoring to works as much of their original life and nuances as we can manage. To read the written records of bygone civilizations correctly requires knowledge of cultural history in a broad sense: of folklore, legends, laws, and customs. Philology also ...
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This festschrift, in honor of the renowned Indo-Europeanist Jay Jasanoff, presents studies on topics ranging from the honorand's own specialty of Indo-European verbal morphology to Australian paleolinguistics. It contains contributions by such internationally distinguished colleagues as Ives Goddard, H. Craig Melchert, Martin Peters, Georges-Jean Pinault, P. Oktor SkjAerv Brent Vine, and Calvert Watkins.