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LO: TECH: POP: CULT
This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods, at the intersections of popular culture, low-tech media practices, dance, and movement studies, and the minoritarian perspectives of feminism, queer theory, critical race studies and more. This book represents new vectors in screendance studies, featuring contributions by both artists and theoreticians, some of the most established voices in the field as well as the next generation of emerging scholars, artists, and curators. It builds on the foundational cartographies of screenda...
Screendance from Film to Festival
Dance and film have shared a dynamic relationship since the advent of cinema--a natural interplay that developed into the genre known as screendance. Charting the history of screendance festivals, this book examines important shifts in practice and theory, distinct festival eras and communities, and the process of selecting and programming works.
Race and the Forms of Knowledge
Enacts a radically interdisciplinary intersectionality to position performance-based research in solidarity with decoloniality This boldly innovative work interrogates the form and meaning of artistic research (also called practice research, performance as research, and research-creation), examining its development within the context of predominately white institutions that have enabled and depoliticized it while highlighting its radical potential when reframed as a lineage of critical whiteness practice. Ben Spatz crafts a fluid yet critical new framework, explored via a series of case studies that includes Spatz’s own practice-as-research, to productively confront hegemonic modes of whit...
Dance’s Duet with the Camera
Dance’s Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loïe Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.
Pandemic Motherhood
Pandemic Motherhood explores how various artistic practices and processes have been instrumental in processing, sharing, and learning about the intersectional epidemics unique to mothers living in the United Kingdom, Canada, and the United States. Exploring how the COVID-19 pandemic and childcare converge to create challenging circumstances for women and mothers, the book interrogates ways in which individuals navigated these challenges through dance, performing arts, and theatre. Central to this topic is a growing body of literature about how applied performance affects change, activates transformation and healing, and engages communities in shared lived experience. The collection highlight...
Village Sins
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A bilingual edition of Fray Luis de León's La perfecta casada
Leon (1528-91) is known today mostly as a master poet of Spain's Golden Age, but in his own day he was regarded primarily as an academic, and his poems were little regarded by him and little known by others. Here he describes and prescribes marriage in the purely Christian context of the period, and suggests how women can live out their narrowly defined roles within it. Many of his views would be patriarchal and anti-feminist in today's society. The facing pages of Spanish and English text are double spaced. No index is provided. Annotation copyrighted by Book News, Inc., Portland, OR
