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Max Klinger and Wilhelmine Culture
The Wilhelmine Empire?s opening decades (1870s - 1880s) were crucial transitional years in the development of German modernism, both politically and culturally. Here Marsha Morton argues that no artist represented the shift from tradition to unsettling innovation more compellingly than Max Klinger. The author examines Klinger?s early prints and drawings within the context of intellectual and material transformations in Wilhelmine society through an interdisciplinary approach that encompasses Darwinism, ethnography, dreams and hypnosis, the literary Romantic grotesque, criminology, and the urban experience. His work, in advance of Expressionism, revealed the psychological and biological under...
Fin-De-Siecle Vienna
A Pulitzer Prize Winner and landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political and social disintegration so much of modern art and thought was born. "Not only is it a splendid exploration of several aspects of early modernism in their political context; it is an indicator of how the discipline of intellectual history is currently practiced by its most able and ambitious craftsmen. It is also a moving vindication of historical study itself, in the face of modernism's defiant suggestion that history is obsolete." -- David A. Hollinger, History Book Club Review "Each of [the seven separate ...
Carl Nielsen
Carl Nielsen (1865–1931) occupies a prominent place among the European modern composers of the early twentieth century, representing the generation of Richard Strauss, Ferruccio Busoni, Jean Sibelius and Gustav Mahler, and his music is performed throughout the world. "Carl Nielsen. A Cultural Biography" is the first thoroughly researched and comprehensive biography of Nielsen available to international readers and scholars. Nielsen participated in the lively cultural circles of late nineteenth-century Copenhagen, at a time when Scandinavian writers were in vogue throughout Europe. He travelled extensively during his life but maintained strong ties with his cultural heritage. His prolific output includes works in all genres from advanced symphonies to beloved popular songs.
Recasting America
"The freshness of the authors' approaches . . . is salutary. . . . The collection is stimulating and valuable."—Joan Shelley Rubin, Journal of American History
The American Bibliography of Slavic and East European Studies for 1994
This text provides a source of citations to North American scholarships relating specifically to the area of Eastern Europe and the former Soviet Union. It indexes fields of scholarship such as the humanities, arts, technology and life sciences and all kinds of scholarship such as PhDs.
General Nonfiction Awards, 1962-1993
The School of Journalism at Columbia University has awarded the Pulitzer Prize since 1917. Nowadays there are prizes in 21 categories from the fields of journalism, literature and music. The Pulitzer Prize Archive presentsthe history of this award from its beginnings to the present: In parts A toE the awarding oftheprize in each category is documented, commented and arranged chronologically. Part F covers the history of the prize biographically and bibliographically. Part G provides the background to thedecisions.
Tracking the Axis Enemy
Former US naval intelligence officer Bath describes how his own area (before he was in it) was as responsible as Allied warships in the successful 1942-43 campaign against German U-boats known as the Battle of the Atlantic. He describes the cooperation at all levels, in all theaters of war, and at all points in the cycle from gathering through analysis to dissemination. He also considers the naval intelligence in the South Pacific, throughout highlighting the contributions of Britain and other Commonwealth states. Annotation copyrighted by Book News, Inc., Portland, OR
Thinking with History
In this book, the distinguished historian Carl Schorske--author of the Pulitzer Prize-winning Fin-de-Siécle Vienna--draws together a series of essays that reveal the changing place of history in nineteenth-and twentieth-century cultures. In most intellectual and artistic fields, Schorske argues, twentieth-century Europeans and Americans have come to do their thinking without history. Modern art, modern architecture, modern music, modern science--all have defined themselves not as emerging from or even reacting against the past, but as detached from it in a new, autonomous cultural space. This is in stark contrast to the historicism of the nineteenth century, he argues, when ideas about the ...
