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Looking Into the Rain
Humankind has a special relationship with rain. The sensory experience of water falling from the heavens evokes feelings ranging from fear to gratitude and has inspired many works of art. Using unique and expertly developed art-historical case studies – from prehistoric cave paintings up to photography and cinema – this book casts new light on a theme that is both ecological and iconological, both natural and cultural-historical. Barbara Baert’s distinctive prose makes Looking Into the Rain. Magic, Moisture, Medium a profound reading experience, particularly at a moment when disruptions of the harmony among humans, animals, and nature affect all of us and the entire planet. Barbara Baert is Professor of Art History at KU Leuven. She teaches in the field of Iconology, Art Theory & Analysis, and Medieval Art. Her work links knowledge and questions from the history of ideas, cultural anthropology and philosophy, and shows great sensitivity to cultural archetypes and their symptoms in the visual arts.
Forms of the Visible
Imagery and figuration are not just figments of an artist’s imagination. Perception and imagination are always shaped by what habit has taught us to discern. The visual path we spontaneously trace through the world depends on where we are situated in the four regions of the ontological archipelago: animism, naturalism, totemism or analogism. Each of these four regions corresponds to a way of conceiving the objects that make up the world, of perceiving the continuities and discontinuities in the folds of the world and of drawing the dividing lines between humans and nonhumans. From Alaskan Yup’ik masks and Aboriginal bark paintings to miniature landscapes from the Song dynasty and Dutch G...
Disturbing Remains
In Disturbing Remains, ten extraordinary scholars focus on the remembrance and representation of traumatic historical events in the twentieth century. The volume opens with essays by David William Cohen, Veena Das, and Philip Gourevitch. Their reflections on the narratives framing Robert Ouko's death in Kenya, Sikh-Hindu violence in India around the time of Indira Gandhi's assassination, and the 1994 genocide of Tutsis by Hutus in Rwanda offer fresh insights into the genesis and aftermath of these tragedies. The next four essays explore the expression of societal disaster in works of art and ritual. Lenin's image, Pablo Picasso's Guernica, balsa figurines of whites made by the Kuna of Panama, and Chinese fertility statuettes after Mao Zedong's Great Leap Forward are the subjects taken up by Leah Dickerman, Carlo Ginzburg, Carlo Severi, and Jun Jing. Disturbing Remains closes with three essays about the influence of the dead on the construction of shared identity. István Rév looks at how Hungarians have dealt with the 1956 revolution and its executed leader, and Jörn Rüsen and Saul Friedländer contemplate the public memory of the Holocaust in Germany and worldwide.
Ritual and Event
Ritual today can be encountered in the midst of catastrophic and transforming events. This collection reassesses and revises traditionally understood relationships between ritual and politics, ritual and everyday life, ritual and art making, and ritual and disaster. The methodologies as well as the subject matter are interdisciplinary: they range from the anthropological to the art and dance historical, from the theatrical and literary to the linguistic, philosophical, and psychoanalytic. It will be a valuable tool for scholars of Theater and Performance Studies, as well as Anthropology, Art, and History.
Transforming Spirit Bodies
“Transforming Spirit Bodies” is an edited volume that focuses on the bodies and embodiments of spirits, their (im-)materialities, and their bodily transformations. The anthropological, sociological and archaeological contributions draw attention to the embodied experiences of asymmetrical dependencies among humans and spirits and how experiences of (inter-)dependence are negotiated in their interactions. Suggesting that more-than-human entities significantly contribute to agency in social interactions and power negotiations, the volume further highlights the ambivalent yet undeniable relationship between spirits and materiality. During the processes of materialization and dematerialization, in which spirit bodies transform and are transformed, more-than-human entities may share substances and agency with humans. Not only having material but also social dimensions, these dynamics are influenced by relations of power and dependency. Following posthumanist approaches, this volume therefore challenges the anthropocentric views that continue to dominate scholarly analysis of power relations, dependency, and coercion.
Ritual and Religious Belief
The study of ritual and how it relates to beliefs and ideas is of central importance in our understanding of the world. Rituals can become divorced from beliefs and religious believers regarded as simply "going through the motions". 'Ritual and Religious Belief: A Reader' presents the full range of scholarly thinking on ritual and ritualizing as they relate to belief. It questions the assumption that belief should take precedence over outward behaviour and engages with questions such as: how are rituals related to performance; are politics ritualized; and is there a difference between rituals and etiquette? This comprehensive volume brings together material by eminent scholars from across the centuries, ranging from Martin Luther's sacramental dialogues to the life and routine patterns of Zen Buddhist Temples and the relationship between magic, religion and science. It will be of interest to all those engaged in the study of the dynamics between ritual and belief.
Time in the History of Art
Addressed to students of the image—both art historians and students of visual studies—this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.
Experiencing Materiality
Representing a cutting-edge study of the junction between theoretical anthropology, material culture studies, religious studies and museum anthropology, this study examines the interaction between the human and the nonhuman in a museum setting usually defined as ‘non-Western’, ‘non-scientific’ and ‘religious.’ Combining an on-site analysis of exhibitive spaces with archival research and interviews with museum curators, the chapters highlight contradictions of museum practices, and suggests that museum practitioners use museum spaces and artefacts as a way of formulating new theoretical stances in material culture studies, thus viewing museums as producers of theories together with affective engagements.
The Journal of the Royal Anthropological Institute
Articles on all aspects of anthropology.
Man in India
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