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More than two centuries after Master’s Mate Fletcher Christian led a mutiny against Lieutenant William Bligh on a small, armed transport vessel called Bounty, the true story of this enthralling adventure has become obscured by the legend. Combining vivid characterization and deft storytelling, Caroline Alexander shatters the centuries-old myths surrounding this story. She brilliantly shows how, in a desperate attempt to save one man from the gallows and another from ignominy, two powerful families came together and began to create the version of history we know today. The true story of the mutiny on the Bounty is an epic of duty and heroism, pride and power, and the assassination of a brave man’s honor at the dawn of the Romantic age.
With her virtuoso translation, classicist and bestselling author Caroline Alexander brings to life Homer’s timeless epic of the Trojan War Composed around 730 B.C., Homer’s Iliad recounts the events of a few momentous weeks in the protracted ten-year war between the invading Achaeans, or Greeks, and the Trojans in their besieged city of Ilion. From the explosive confrontation between Achilles, the greatest warrior at Troy, and Agamemnon, the inept leader of the Greeks, through to its tragic conclusion, The Iliad explores the abiding, blighting facts of war. Soldier and civilian, victor and vanquished, hero and coward, men, women, young, old—The Iliad evokes in poignant, searing detail the fate of every life ravaged by the Trojan War. And, as told by Homer, this ancient tale of a particular Bronze Age conflict becomes a sublime and sweeping evocation of the destruction of war throughout the ages. Carved close to the original Greek, acclaimed classicist Caroline Alexander’s new translation is swift and lean, with the driving cadence of its source—a translation epic in scale and yet devastating in its precision and power.
The papers comprising this volume focus on a broad range of acquisition phenomena (subject dislocation, structural case, word order, determiners, pronouns, quantifiers and logical words) from different languages and language combinations. These include languages with large numbers of speakers (French, German, Spanish) and less frequently spoken ones (Norwegian, Russian, Swiss-German, Hebrew, Basque and Serbo-Croatian) within different language acquisition scenarios and a wide range of populations. Most contributions adopt a common theoretical background within the generative approach with the aim to advance, discuss and critically analyse other research on first, bilingual and language impaired acquisition. The various sections of this stimulating volume reflect different theoretical and methodological perspectives of current research investigating morphology and syntax and offer diverging interpretations.
Travel Writing and Re-Enactment: Echotourism explores the popular subgenre of travel narratives that re-enact historically prominent journeys. Drawing on philosopher Walter Benjamin, this monograph reads such re-enactments as quests for aura in which travellers seek to capture a sense of distinction and historical profundity. Travel Writing and Re-Enactment frames the re-enactment of past journeys in a number of contexts, including Benjamin’s writing on mechanical reproduction, Judith Butler’s work on gender performance, and postmodern parody. Echotourist journeys are surprisingly contingent and precarious, and force travellers to navigate historical changes involving empire, gender, and travel practice in densely performative ways. Through close readings of contemporary travel narratives, this monograph considers the legacies of Lord Byron, Charles Darwin, Graham Greene, Mary Kingsley, and Ernest Shackleton, among others. Travel Writing and Re-Enactment examines the way literary re-enactment expresses, and sometimes confounds, the desire to find meaning through travel in the contemporary world.
Enjoy this clean and wholesome Regency romance series by award-winning author Kayla Lowe… Their love is a melody London refuses to hear… Caroline White has never fit neatly into society’s expectations. As the daughter of famed composer Charles White, she’s spent her life behind a piano, where the world makes sense in notes and melodies. She has no title, no fortune—only music and a stubborn heart that refuses to settle for anything less than love. Duke Alexander Radcliffe wasn’t looking for a scandal. He wasn’t even looking for love. But then he hears Caroline play, and suddenly, the rigid world he’s spent his life controlling feels empty—until she fills it with music. W...
The Greek word translated as Socrates is actually a compound that means save from death and power over, so the intent of the compound is to point to one who has power over life and deathand that one is Christ. Harold North Fowler, in his introduction to The Apology, says that the high moral character and genuine religious faith of Socrates are made abundantly clear throughout this whole discourse. It would seem almost incredible that the Athenian court voted for his condemnation, if we did not know the fact. When we keep in mind the true intent of the compound translated as Socrates then we can be certain that it was not the Athenian court that voted for the condemnation and death of this man with a high moral character but rather a multitude of people who were influenced by the members of the Sanhedrin in Jerusalem. BEHOLD THE MAN! reveals how inaccurate and misleading English translations have been of ancient Greek literature and the author makes a compelling case for Christ being at the center of THE ILIAD, CLASSICAL GREEK DRAMA, PLATO, AND GREEK LITERATURE FROM HERCULANEUM.