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A darkly funny feminist debut about a resentful stay-at-home wife and her vindictive marriage therapist Revenge is in session. Eliza Sheridan is at her wits' end with her husband, Richard. Not only did he uproot her and their daughter Mara's lives for his career, but he also hasn’t honored the one thing he promised before moving to Dublin: that he’d make more time for his wife and daughter. So when Eliza receives an anonymous photo of Richard with another woman, she's just about ready to file for divorce. As a last resort, she pays a visit to a marriage therapist, Ms. Early, who Eliza quickly learns is a bit…alternative in her approach. As their sessions unfold, Ms. Early spurs her on to commit a series of vengeful acts against Richard—each more bizarre than the last—all in the name of “re-training” her husband. But when therapy takes a risky turn, suspicions grow and alliances shift... How far is Eliza willing to go to save her marriage?
What can creativity achieve in an era of ecocide? How are people using creative and artistic practices to engage with (and resist) the destruction of life on earth? What are the relationships between creativity and repair in the face of escalating global environmental crises? Across twelve compelling case studies, this book charts the emergence of diverse forms of artistic practice and brings together accounts of how artists, scholars and activists are creatively responding to environmental destruction. Highlighting alternative approaches to creativity in both conventional art settings and daily life, the book demonstrates the major influence that ecological thought has had on contemporary creative practices. These are often more concerned with subtle processes of feeling, experience and embodiment than they are with charismatic 'eco-art' works. In doing so, this exploratory book develops a conception of creativity as an anti-ecocide endeavour, and provides timely theoretical and practical insights on art in an age of environmental destruction.
This is the fifth volume of Dr. Justin Glenn’s comprehensive history that traces the “Presidential line” of the Washingtons. Volume One began with the immigrant John Washington, who settled in Westmoreland Co., Va., in 1657, married Anne Pope, and became the great-grandfather of President George Washington. It continued the record of their descendants for a total of seven generations. Volume Two highlighted notable family members in the next eight generations of John and Anne Washington’s descendants, including such luminaries as General George S. Patton, the author Shelby Foote, and the actor Lee Marvin. Volume Three traced the ancestry of the early Virginia members of this “Presi...
Constructivist Co-Curation: A Method of Interweaving Museum and School-Based Art Education tells a unique story through a retrospective case study of the curatorial convergence of museum educators, utilizing their theory and programs, with art educators, utilizing their theory and pedagogy. The book describes a method that advances museum and school-based practice by asking art teachers to develop projects and curate exhibitions with museum educators. Inherent is the diminishment of unintentional barriers between school and museum systems as school and museum educators strive for mutual conceptualization and purpose. The method nurtures usage of museums and increased meaning-making within them by the school system audience (teachers, students, and families). School programs expand and deepen through increased and more easily accessed museum-based resources (original artworks, artist interactions, exhibitions, and museum materials and activities). This book presents Constructivist Co-Curation as a “cutting edge” model and includes a “how-to-do-it” guide.
"Here is a collection of genealogical records from 581 Southern family Bibles, providing data on more than 15,000 individuals. The Bible records have been reassembled here and integrated into a single alphabetical sequence under the names of the principal families."--Amazon.
In June 2015, Bree Newsome scaled the flagpole in front of South Carolina’s state capitol and removed the Confederate flag. The following month, the Confederate flag was permanently removed from the state capitol. Newsome is a compelling example of a twenty-first-century woman rhetor, along with bloggers, writers, politicians, activists, artists, and everyday social media users, who give new meaning to Aristotle’s ubiquitous definition of rhetoric as the discovery of the “available means of persuasion.” Women’s persuasive acts from the first two decades of the twenty-first century include new technologies and repurposed old ones, engaged not only to persuade, but also to tell their...