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The Man Watching: Anson Dorrance and the University of North Carolina Women's Soccer Dynasty is the authorized biography of a fascinating head coach and the more than 200 young women he inspired to believe that anything is possible. Updated to include the story of the Tar Heels's 2008 and 2009 NCAA championships. As coach of UNC's women's soccer team, Anson Dorrance has won more than 90 percent of his games, groomed far more All-Americans, and captured more NCAA championships than any other coach in the sport ten times over. Author Tim Crothers spent four years interviewing Dorrance and Tar Heels players from every era, along with players and coaches from rival college programs, to create the most comprehensive, intimate, and unfiltered look ever inside the most prolific dynasty in college athletics.
This book constructs a theory of ruins that celebrates their vitality and unity in aesthetic experience. Its argument draws upon over 100 illustrations prepared in 40 countries. Ruins flourish as matter, form, function, incongruity, site, and symbol. Ruin underlies cultural values in cinema, literature and philosophy. Finally, ruin guides meditations upon our mortality and endangered world.
Gender, Mediation, and Popular Education in Venice, 1760–1830, examines how women with enough cultural capital could turn their identity as representatives of "the public" – those on the receiving end of education – to their advantage, producing knowledge under the guise of relaying it. Author Susan Dalton demonstrates how elite women turned their reputation for ignorance into an opportunity to establish themselves as published authors at the dawn of the nineteenth century in Venice. Many literary figures saw women as a group in need of education. By deploying essentialist understandings of femininity, whereby women possessed superior moral virtue but deficient rationality, these women...
Ineffable Bodies focuses on early modern heroism in drama through the notion of ineffability in order to define new dramatic forms. Drawing from Vladimir Jankélévitch’s studies on the ineffable, the book focuses on heroic bodies on the early modern stage as the seat of an aesthetic shift in drama: the early modern heroic body testifies to an inability to tell heroic stories. Examples are taken from plays by Shakespeare, Chapman and Daniel in which martial heroes are placed in a position where they cannot give full sway to their heroic status or are simply revealed as failed heroes. The playwrights experiment with action and favour forms that have lost their meaning or contents, stressing the mutation from the factual or the material to the immaterial and the ineffable.
The warriors of medieval Italy practiced a complex and complete martial art, which included the wielding of sword, axe and spear with wrestling, knife-fighting and mounted combat. In the waning years of the 14th century, Fiore dei Liberi was a famed master of this art, whose students included some of the most renowned and dangerous fighting men of his day. Credited by fencing historians as the father of Italian swordsmanship, toward the end of his life, Master Fiore preserved his teachings in a series of illustrated manuscripts, four of which have survived to the present day, and have become the basis of a world-wide effort to reconstruct this lost martial art. This magnum opus, il Fior di B...
The latest tips and techniques for working with pastels - in full color Pastels offer bright colors, a great level of portability, and no drying time - plus they're relatively inexpensive and can be used to draw and paint on almost any surface. Pastels For Dummies covers the many aspects of this exciting medium, from the fundamentals of choosing the right materials to step-by-step projects, including landscapes, abstracts, and portraits. Inside you'll find hands-on, easy-to-follow exercises and attractive full-color artwork. Presents drawing, painting, and shading techniques and styles in an easy-to-understand format Accessible to artists of all levels Discover your inner artist with Pastels For Dummies and make your artwork come alive!
Drawing on a long-standing tradition of fictional images, British writers of the Romantic period defined and constructed Italy as a land that naturally invites inscription and description. In their works, Italy is a cultural geography so heavily overwritten with discourse that it becomes the natural recipient of further fictional transformations. If critics have frequently attended to this figurative complex and its related Italophilia, what seems to have been left relatively unexplored is the fact that these representations were paralleled and sustained by intense scholarly activities. This volume specifically addresses Romantic-period scholarship about Italian literature, history, and culture under the interconnected rubrics of ‘translating’, ‘reviewing’, and ‘rewriting’. The essays in this book consider this rich field of scholarly activity in order to redraw its contours and examine its connections with the fictional images of Italy and the general fascination with this land and its civilization that are a crucial component of British culture between the eighteenth and nineteenth centuries.
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Each volume profiles about six to eight novelists, poets, playwrights, short story writers, and other creative and nonfiction writers who are currently active or who died after Dec. 31, 1999. A biographical and critical introduction to each author prefaces a collection of reprinted critical essays and reviews. A cumulative title index to the entire series is available separately (included in subscription).